On a related note, I reckon that
this FILM CRIT HULK essay about
Kingsman: The Secret Service covers similar ground to Yoda's essay when it comes to discussing the different types of satire that can be found in an outwardly simple action film. The interesting point is that Hulk outlines that the film's more obvious and inherently flawed attempts at satire (such as the characters making oh-so-clever jokes about spy movie clichés that culminate in the notorious "anal sex" joke because lol remember how James Bond always get to sex the girl at the end of the movie?) actually work to disguise a deeper and more consistent line of satire (namely one that approaches the concept of class warfare by having a poor boy join an independently wealthy spy agency in order to take down a billionaire industrialist whose evil plan is targeted against the 99%). Though I don't agree with the whole essay and still think that
Kingsman's layered satirical approach still has some issues, I can still appreciate that it provides a good argument that goes beyond praising the cringe-worthy surface-level jokes and actually finds some actual substance to back up its more outwardly questionable moments.
To tie this back into
Starship Troopers, there's not much sign of a deeper satirical thread underneath the more obvious instances cited in both this essay and the ensuing comments. Thinking about
Troopers in comparison to
Kingsman made me realise that, unlike Verhoeven's earlier
RoboCop and
Total Recall, there's not really much of an arc for its hero to follow. It's worth noting that, in those other films, there's actually a conspiracy for the hero to gradually uncover and ultimately fight against, all of which involve twist reveals that heighten the stakes for the remainder of the film. With
Starship Troopers, there's no such thing. Rico joins the marines and then fights the bugs again and again until the movie ends. Sure, he has to suffer as a result of his parents/friends/mentor/love interest dying, but even those moments come across as perfunctory attempts to invoke a war-is-hell vibe that goes beyond merely seeing faceless extras being massacred by the bugs. The reveal of the Brain Bug's existence and Carmen ending up in enemy territory add only a slight variation to the proceedings just in time for the third act and provide the humans with a chance at a significant victory over the bugs in time for the triumphant ending where the fight against the bug menace continues. In that regard, I wonder if
Starship Troopers could have actually benefited from expanding on its superficially satirical elements in a way that informs the narrative rather than just using it as window-dressing for an otherwise straightforward action movie. As it stands, the whole thing feels weirdly inert despite its huge amounts of violence and action, and dropping enough hints that the humans are fascists who might actually be faking the war on bugs only makes it hard for me to genuinely care about the conflict or the characters one way or the other (especially when there's no resolution on that front, which might be intentional but not necessarily for the best).
To illustrate what I mean, imagine how
RoboCop would have played out if it was just about Murphy remembering his identity and getting revenge on Clarence Boddicker's gang. Imagine that Dick Jones only appears a couple of times during the film's first half with a couple of subtle suggestions about his true nature that are never actually elaborated upon and Murphy never actually encounters him. Imagine that the film ends with Murphy arresting/killing Boddicker before going on to do more crime-fighting for the police force (with only the slightest suggestion that it is corrupted by OCP). That's an adequately straightforward three-act movie right there, but downplaying the character of Jones or even removing him from the film entirely results in the film losing a lot of its personality and depth. It's not just enough to have outwardly silly instances like an expensive car that's called the 6000 SUX or to show kids who are "fighting the bugs" by stepping on ordinary cockroaches - the real satire has to come from within, which is why I don't think that
Starship Troopers truly works as a satire or even as a piece of dumb action fun.