Firstly, broken record time: @cricket truly did hit gold when you came up with this variation to the HoF. It's been an absolute plethora of gems and continues to. To keep myself for remarking over and over again, I am pretty excited and intrigued by ALL my nominations. Hopefully I'll be returning the favor with ones I chose for others.
The 400 Blows (1959) (France) Director: François Truffaut This will be my second Trauffaut film and one that has continually been on my peripheral every time I see the title.
Ali: Fear Eats the Soul (1974) (West Germany) Director: Rainer Werner Fassbinder I thought my chance to check this one out was lost when it was no longer in the 24th HoF. Only to be found again here - SWEET
A Man Escaped (1956) (France) Director: Robert Bresson Lovely bit of kismet here. This weekend was my discovery of Bresson films, picking up two of them from the library. This one and Pickpocket which I watched last night and was curious to see if it would show up here and if it did, I was going to steal that First Review Position with it. I am very happy to see A Man Escaped since, like Pickpocket, I was very much intrigued by it and Bresson's minimalist style and attention to technical detail.
Army of Shadows (1969) (France) Director: Jean-Pierre Melville I have become an ardent fan of Melville very recently. With already a keen interest after the first time seeing both Le Samouraï and Le Cercle Rouge a few years back, I have delved into his list of films in the past few months and this is one of several I have on my watchlist for the 2021 Film Challenge.
The Cranes are Flying (1957) (Soviet Union) Director: Mikhail Kalatozov I am nearly nonexistent when it comes to Russian films and, with a review from IMDb that is titled "Exquisite romantic tale of bittersweet war romance" it definitely looks like an excellent starting point. I do believe I'll leave my research to that and happily go into this blindly and enjoy.
Rashomon (1950) (Japan) Director: Akira Kurosawa One of two Kurosawa films on my plate which is a wonderful thing since he is a director I've held in great awe since I was a teenager and yet have seen a very small slice of his work.
Samurai Rebellion (1967) (Japan) Director: Masaki Kobayashi I absolutely loved Kobayashi's Hara-Kiri and this was something that had caught my eye at the time but never had the opportunity to explore.
Shoplifters (2018) (Japan) Director: Hirokazu Koreeda Heard a lot of great things recently regarding this so pretty happy to be one of the four folks who will be experiencing it.
The Tin Drum (1979) (West Germany) Director: Volker Schlöndorff If @CosmicRunaway was in this I would have instantly thought it was her nomination. There is something deliciously off-kilter and almost fanciful about this film that truly appeals to me.
Wild Strawberries (1957) (Sweden) Director: Ingmar Bergman I have always been hesitant when it came to Bergman. Believing myself a little lacking in intellect to properly appreciate his work. But as I've experienced his work via these HoFs I do find myself finding an admiration, if not an all out enjoyment of his work.
Yojimbo (1961) (Japan) Director: Akira Kurosawa The film that inspired Sergio Leone to make A Fistful of Dollars, F@CK YES
The 400 Blows (1959) (France) Director: François Truffaut This will be my second Trauffaut film and one that has continually been on my peripheral every time I see the title.
Ali: Fear Eats the Soul (1974) (West Germany) Director: Rainer Werner Fassbinder I thought my chance to check this one out was lost when it was no longer in the 24th HoF. Only to be found again here - SWEET
A Man Escaped (1956) (France) Director: Robert Bresson Lovely bit of kismet here. This weekend was my discovery of Bresson films, picking up two of them from the library. This one and Pickpocket which I watched last night and was curious to see if it would show up here and if it did, I was going to steal that First Review Position with it. I am very happy to see A Man Escaped since, like Pickpocket, I was very much intrigued by it and Bresson's minimalist style and attention to technical detail.
Army of Shadows (1969) (France) Director: Jean-Pierre Melville I have become an ardent fan of Melville very recently. With already a keen interest after the first time seeing both Le Samouraï and Le Cercle Rouge a few years back, I have delved into his list of films in the past few months and this is one of several I have on my watchlist for the 2021 Film Challenge.
The Cranes are Flying (1957) (Soviet Union) Director: Mikhail Kalatozov I am nearly nonexistent when it comes to Russian films and, with a review from IMDb that is titled "Exquisite romantic tale of bittersweet war romance" it definitely looks like an excellent starting point. I do believe I'll leave my research to that and happily go into this blindly and enjoy.
Rashomon (1950) (Japan) Director: Akira Kurosawa One of two Kurosawa films on my plate which is a wonderful thing since he is a director I've held in great awe since I was a teenager and yet have seen a very small slice of his work.
Samurai Rebellion (1967) (Japan) Director: Masaki Kobayashi I absolutely loved Kobayashi's Hara-Kiri and this was something that had caught my eye at the time but never had the opportunity to explore.
Shoplifters (2018) (Japan) Director: Hirokazu Koreeda Heard a lot of great things recently regarding this so pretty happy to be one of the four folks who will be experiencing it.
The Tin Drum (1979) (West Germany) Director: Volker Schlöndorff If @CosmicRunaway was in this I would have instantly thought it was her nomination. There is something deliciously off-kilter and almost fanciful about this film that truly appeals to me.
Wild Strawberries (1957) (Sweden) Director: Ingmar Bergman I have always been hesitant when it came to Bergman. Believing myself a little lacking in intellect to properly appreciate his work. But as I've experienced his work via these HoFs I do find myself finding an admiration, if not an all out enjoyment of his work.
Yojimbo (1961) (Japan) Director: Akira Kurosawa The film that inspired Sergio Leone to make A Fistful of Dollars, F@CK YES
__________________
What I actually said to win MovieGal's heart:
- I might not be a real King of Kinkiness, but I make good pancakes
What I actually said to win MovieGal's heart:
- I might not be a real King of Kinkiness, but I make good pancakes
~Mr Minio
Last edited by edarsenal; 03-17-21 at 12:10 AM.