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Director: Michael Haneke
The story of a small village in Germany right before World War I. The White Ribbon is an emotional experience but not of the feel good sort. This film does not really have a central character, and only two characters that we can root for. While most movies with bleak story lines try to move our emotions from dark to light, Haneke takes the opposite approach. While the mood is never light, it still manages to become harsher and darker as the story progresses.
Someone seems to be targeting the citizens of this small village. A handful of them are brutally injured at separate times and with no witnesses. As the search towards finding the culprit takes place we get to know many of the folks in the village. The teacher in the village is the one character that we can have a positive response to and he is also the narrator of the story. So we learn what is happening as he does. The women and children in this story are more seen than heard and that is the way that the men of the village want it. We see the harsh treatment of them throughout the film and it is hard not to have a visceral response to the abuse they are subjected to.
This film thrives under Haneke's hand. Everything that is great about it is owed to him. The pace is slow and steady, so the viewers response grows with the film. Each shot is beautifully framed, the black and white setting is brilliant for this story. The dialogue is sharp and ambiguous. This is the type of film that I will not be in a hurry to revisit. However I am glad I did once and it will stick with me for a long time.
Director: Michael Haneke
The story of a small village in Germany right before World War I. The White Ribbon is an emotional experience but not of the feel good sort. This film does not really have a central character, and only two characters that we can root for. While most movies with bleak story lines try to move our emotions from dark to light, Haneke takes the opposite approach. While the mood is never light, it still manages to become harsher and darker as the story progresses.
Someone seems to be targeting the citizens of this small village. A handful of them are brutally injured at separate times and with no witnesses. As the search towards finding the culprit takes place we get to know many of the folks in the village. The teacher in the village is the one character that we can have a positive response to and he is also the narrator of the story. So we learn what is happening as he does. The women and children in this story are more seen than heard and that is the way that the men of the village want it. We see the harsh treatment of them throughout the film and it is hard not to have a visceral response to the abuse they are subjected to.
This film thrives under Haneke's hand. Everything that is great about it is owed to him. The pace is slow and steady, so the viewers response grows with the film. Each shot is beautifully framed, the black and white setting is brilliant for this story. The dialogue is sharp and ambiguous. This is the type of film that I will not be in a hurry to revisit. However I am glad I did once and it will stick with me for a long time.