The Burglar
This one was really uneven for me. I like Duryea and all the eye candy is doing its job very well. There are some really cool visual flourishes and the actual burglary is very good.
I expected the second half to be an investigation procedural with the victim taking a large role. I am fine with the plot not doing what I expected, but where it goes was extremely unsatisfying. I think it's because the characters that become the "villains" are not very good in my opinion. The femme is just bland, but her partner is a really terribly drawn character in my opinion. His mean mugging just becomes laughable and any dread or tension is lost because of it. Glad I watched this but not in danger of becoming a favorite.
That's interesting...I think, if we like or dislike a movie often it's due in part to what we were expecting to see or hoping to see (I know it's that way for me). In reading what you wrote, I see you were interested in a different aspect of
The Burglar than I was. For me the burglary wasn't very interesting. I liked the psychological effects that came to the surface when the criminal gang were couped up together and their relationships. For me that's what I liked and so probably why I really liked the film.
So on the same 'thought of expectations' and what one wants to see versus what the film ends up about. I watched
Madeline (1950) last night. Solid film, and as you said it was brilliantly directed. Especially how the off screen love/sex scenes were shown by the almost frenzied dancing and whirling on the dance floor and then later the abrupt drop of the walking stick as inhibitions were cast aside. Very effective. The casting was perfect, especially Ann Todd who captured both young innocents with a hint of coldness about her. I'd say the movie was written, acted, directed perfectly...I enjoyed it but I didn't love it like you did. The reason why is I was wanting the film to be more about the social conventions of the day and about a strong willed woman trying to find her own way in this stiffing world...and marring the man she loved despite the crushing expectations of the social class of the rich. But when the film ended with a courtroom scene that reminded me of
Rashomon, it wasn't what I wanted. The court scene felt well done, no complaints other than it wasn't what I was interested in. I'd rate it a
++
The ++ being for David Lean's eye for perfection.