WALL-E (2008)
Well, can't for the life of me understand why it took so long to get back to this one. The animation's superb, the characters are both funny and heartwarming, and what interaction we got from the human participants was really enjoyable.
But the humans don't take center stage for this, and neither should they. This story is all about the machines, from WALL-E to EVE to the clearly HAL 9000 inspired AUTO.
To start with, I loved how they designed the diffrent robots, especially WALL-E and EVE, who couldn't look more dissimilar. WALL-E's small, detailed points of articulation and collapsibility made him a fount of possibility when it came to expression, which was something sorely needed in a character who lacks any form of higher verbal communication skills. Trying to accomplish this outside of animation wouldn't be possible, at least not to this degree. Yes, we have BB-8 and R2-D2, but even there they need help with expressing themselves via sound as well as movement(and yes, the robots here rely on sounds too, but they're far less dependent on it and what they get across is far more nuanced I think).
With EVE, they went a diffrent route. Her design was more streamlined where WALL-E's was boxlike, more minimalist to his functional. She, too, can transform, but it's less moving parts and more physical morphing if that makes sense. She's more futuristic, with anti-gravity propulsion and what-not. All her emoting stems from her digital eyes and her free-floating arms. She's also a bit more verbal than WALL-E, again signifying a more advanced robot type.
And then we have M-O, the little cleanerbot who's hounding WALL-E throughout. I think all we need to know about him can be summed up in two scenes: the introductory one where he litterally steps over the line he's suppoed to follow with an quick peek around to make sure noone's coming to put him back, and all that follows, showing his dogged determination to finish his task. I like him.
Finally, let's talk about AUTO, the first mate. He's simultaneously second in command after the captain and the ship's actual auto pilot, creating a being who should be in total control, but for the fact that he's programmed to obey the captain, something I feel he's figured out to his never-ending irritation. He has though, by virtue of order A113 and the general apathy of the crew, managed to take de facto control, without the Captain noticing. As I said, his design is heavelly inspired by HAL 9000, the evil AI from
2001: A SPACE ODDESY. Instead of the long, narrow rectangle with a fish-eye on the base, he's gotten a long arm, but the general look is intact with his one glowing red eye at the center of the ships wheel. And it is the actual wheel, as you can see when the Captain is wresteling with AUTO for control (set to the Monolith motif, very nice) and the ship responds to a hard tug of the wheel that sets it spinning.
As a whole, I have to say that my favourite piece of animation's a toss up between the space dance between WALL-E and EVE and the end credits, where different techniques of depicting trade off with one another, from cave paintings and mosaics to impressionistic painting and finally to bit art. It's the first time in a long time I've watched the credits just to enjoy the visuals and the music. Speaking of...
I didn't remember the 50s style music opening at all. And then it continued with music taken from old movies and from before man left earth. The motif from
2001 was a nice touch, as was the music playing during the dance in space previously mentioned. I can't recall if it was written with this scene in mind or if was a already existing piece, but it fit very well. Overall, a very nice selection of music.
The story as such was very fullfilling and I liked the premis. It annoyed me a little bit that WALL-E fell for EVE within minutes of meeting her(after she stopped trying to vaporize him, of course), but that didn't last very long. Other than that, I have no complaints as far as the story goes. It was entertaining, funny and thrilling. What more can you ask?
To conclude this(I'm sure) overly long and rambling review, I have to say I loved it. I still think that
UP has the more gut-punshingly emotional silent beginning, but this is not far behind when it comes to a cold opening. This will make for a grueling showdown at the end, as it's becomming crowded at the top. Superb nom, GB, as I knew it would be!