Black Swan (Darren Aronofksy, 2010)
Sorry to any of his fans on here but I'm not convinced that Aronofsky is for me. Lots of close-ups and emphasis on extremes rather than focussing on mise-en-scene. I get why he chooses this style for such a story, it kind of matches with the content as we see characters get pushed to physical and mental extremes but then I also found the plot to be very limited and a bit dull. The story/message of the hard-work and effort going into the dancing, people's obsession, desires and so on... it all seemed very obvious. Not much really happened.
Invasion of the Body Snatchers (Philip Kaufman, 1978)
I had heard a lot of great stuff about this film and how it's superior to the original but was slightly disappointed. I love Don Siegel's version, I think it's a masterpiece. I don't like comparing remakes to their predecessors and I enjoyed how this film started out with the updated setting. The visual choices and emphasis on certain objects, the way the director captures the city and its movements, they all felt good for the story. I think it began to go downhill for me when we started to see more of Leonard Nimoy's character, then the second half descended into a bit of a repetitive chase film. Enjoyable, but not great for me.
Ed Wood (Tim Burton, 1994)
Lots to love here and I think the first half is particularly brilliant. Depp is awesome as Ed Wood and Burton's directorial style fuses perfectly with the story he's telling with a lot of affection. The characters are all interesting and we find ourselves really rooting for our protagonist. Martin Landau is also great as Bela Lugosi and his character brings another human layer to the film that really works. I think in the second half the film has a few too many plotlines that it struggles to juggle. We have the Lugosi relationship, then Wood's second film, then Plan 9 which doesn't seem to get much attention. Burton seems a bit unsure about what to focus on and how to tie everything together.
Night on Earth (Jim Jarmusch, 1991)
Jarmusch could possibly be my favourite comedic director. He manages to make almost every scene funny with his off-beat style. The type of humour really differentiates, sometimes its more overt and laugh-out-loud and other times it's more subtle and found in the little quirks found in human being. This film has five different segments, each focussing on a different taxi ride in various cities around the world. Each one is a little different, the opening and closing segments are more human and are very moving. The three in the middle are more zany and comedic, I especially loved Giancarlo Esposito and Roberto Benigni's parts.