Man of the Century (1999)
The best black and white movies...in the modern age
Man of the Century (1999)
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It's the bee's knees, I tell ya!
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"Film is a disease. When it infects your bloodstream it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to Film is more Film." - Frank Capra
"Film is a disease. When it infects your bloodstream it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to Film is more Film." - Frank Capra
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99%
MF: Top Musicals
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MF: Top Noir Films
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MF: Top Films of 70s
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MF: Top Westerns


I just watched this today and thought it was great. It's a film like no other, that's for sure. Just watch the opening then get back to me if you ain't already hooked.
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"A film has to be a dialogue, not a monologue — a dialogue to provoke in the viewer his own thoughts, his own feelings. And if a film is a dialogue, then it’s a good film; if it’s not a dialogue, it’s a bad film."
"A film has to be a dialogue, not a monologue — a dialogue to provoke in the viewer his own thoughts, his own feelings. And if a film is a dialogue, then it’s a good film; if it’s not a dialogue, it’s a bad film."
- Michael "Gloomy Old Fart" Haneke
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Purple Rose of Cairo makes great use of switching between B+W and color

Broadway Danny Rose
Stardust Memories

Manhattan
All by Woody Allen.
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Kind of linked to this but what would be the first "retro" black and white film? that is one where the choice to shoot it in that fashion was deliberately looking backwards rather than being a hold out to the switch to colour?
Maybe The Last Picture Show in 1971?
Maybe The Last Picture Show in 1971?
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Dr. Strangelove


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This is a tough one because there are some great films which happen to be in B/W, but which would still be great films in color. There are other films which are great, in substantive part, because of the manner in which B/W is part of the artwork. B/W films which exploit deep contrasts and capture shadow in that unique way and which artistically merges with the message of the film would seem to be true standouts--those films which would be massively diminished presented in color.There is an alchemy to the best B/W images (which is strongly evidenced by B/W still photography, which is always popular), which color films lack.
The Artist is the first that comes to mind. Watched it again recently, holds up pretty well (better than I would have thought, at least).






Kind of linked to this but what would be the first "retro" black and white film? that is one where the choice to shoot it in that fashion was deliberately looking backwards rather than being a hold out to the switch to colour?
Maybe The Last Picture Show in 1971?
Maybe The Last Picture Show in 1971?
I was on the road in England at the time, and saw it at a wonderful movie palace in London. It made me so homesick that I wanted to get on a plane and fly home!
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I just watched this today and thought it was great. It's a film like no other, that's for sure. Just watch the opening then get back to me if you ain't already hooked.
A couple of 90s indies not yet mentioned: Nadja, In The Soup, Begotten, Soderbergh's Kafka.
I like to try modern films in B&W on occasion as an experiment. I've been very happy with Shutter Island in this format. I think this works best for its post-war noir atmosphere and Welles and Tourneur influences. Also, some of the CGI looks better in B&W, the "ash" scene is one that comes off more naturally. Over all, it's a modern B&W film that should have been.





I like to try modern films in B&W on occasion as an experiment. I've been very happy with Shutter Island in this format. I think this works best for its post-war noir atmosphere and Welles and Tourneur influences. Also, some of the CGI looks better in B&W, the "ash" scene is one that comes off more naturally. Over all, it's a modern B&W film that should have been.






Last edited by Jinnistan; 01-11-21 at 08:03 PM.
Definitely comes to mind when you think of a movie replicating the aesthetics of true black and white cinema. Even the actors looked the part.
But the one I enjoyed the most is Sin City.
But the one I enjoyed the most is Sin City.
I absolutely LOVED The Artist... I think a rewatch is due
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