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Bright light. Bright light. Uh oh.

2 Guns (Baltasar Kormákur, 2013)
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The Presence (Tom Provost, 2010)
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Scarlet River (Otto Brower, 1933)

September 30, 1955 (James Bridges, 1977)
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College student Richard Thomas’ life seems to lose meaning the day James Dean died, and he finds little solace from friend Tom Hulce.
The Internship (Shawn Levy, 2013)

Big Daddy (Dennis Dugan, 1999)
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Leaving Las Vegas (Mike Figgis, 1995)

Unleashed (Louis Leterrier, 2005)


Jet Li was raised to fight to the death as a slave for mobster Bob Hoskins, but he learns a more peaceful way.
Mama (Andy Muschietti, 2013)
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Beautiful Creatures (Richard LaGravenese, 2013)

Assault on Precinct 13 (Jean-François Richet, 2005)

Amer (Hélène Cattet & Bruno Forzani, 2009)
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Empty exercise in style and homage just barely keeps your attention while it’s on. Easy on the eyes though.
The Wedding Date (Clare Kilner, 2005)

Chernobyl Diaries (Bradley Parker, 2012)

The Revenant (Kerry Prior, 2009)
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Ruby Sparks (Jonathan Dayton & Valerie Faris, 2012)


Seemingly-delusional novelist Paul Dano wills Zoe Kazan into existence and is able to control her by typing her actions and emotions. They fall in love, but things aren’t all that simple.
The Purge (James DeMonaco, 2013)
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Lest We Forget (No Director Listed, 1937)
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Parental Guidance (Andy Fickman, 2012)

Beasts of the Southern Wild (Benh Zeitlen, 2012)
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Impressionistic fable set in bayou country about six-year-old Quvenzhané Wallis and her cantankerous dad Dwight Henry.
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It's what you learn after you know it all that counts. - John Wooden
My IMDb page



Sometimes...actually, most of the time...I feel incredibly out of place here. I really don't watch art films and so many of you clearly do...
It's probably a 50-50 split, or maybe 45-45 with 10% not watching movies at all. The arthouse goons are likely more vocal and tend to watch more or post in this thread more (except mark, he's a hollywood goon).
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"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."





Seven Samurai (1954)


The Conformist (1970)


Walkabout (1971)


Dressed to Kill (1980)


Funny Games (1997)


Hobo with a Shotgun (2011)


The Long Goodbye (1973)


Spirit of the Beehive (1973)



I am surprised at the love that Dressed To Kill is getting lately. Pleasantly so, but still surprised. It didn't used to be this well thought of.

Yojimbo

Sanjuro

Used Cars

Mary Pickford The Muse Of The Movies

Licence To Kill

The Living Daylights
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5-time MoFo Award winner.



Although Body Double and Phantom of Paradise are close, Dressed to Kill is my favourite De Palma film! It's like Hitchcock was kidnapped and gangbanged by Bava, Argento and Fulci and then gave birth to a bastard, who was whispering to De Palma's ear every night.
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San Franciscan lesbian dwarves and their tomato orgies.



Finished here. It's been fun.
There will be Blood


Yup, it's a masterpiece alright.

This is my 2nd time around with Paul Thomas Anderson's There will be Blood. Big fan of the director so I always found it weird that I didn't love the film as much as many others. During my initial viewing, I found the film to be very good but I certainly wasn't blown away by this so called modern masterpiece. Luckily with this viewing I see it as not only one of the greatest films of the last 10 years, but one of the greatest of all-time.

The opening 15 minutes are Perfect. We see Daniel Plainview getting his hands dirt to find oil. It's a dirty,grimy job, and we get to see his obsessive determination and hunger for success at play.The film somehow doesn't peak with it's magnificent opening however. Instead my admiration only increases as the film progresses. I can't possibly continue this review without mentioning how striking the photography is. Each shot breathtaking, awe-inspiring even. Jonny Greenwood's compositions and the atmospheric imagery go hand in hand, giving the film an almost permeating sense of dread. Though the entire film is a visual feast, a particular scene involving an oil explosion might quite possible be one of the greatest scenes in cinema history. But putting aside the film's aesthetic perfection, i'll get into what really drives the film.

I love character studies. I love films with compelling main protagonists, and Daniel Plainview is to me one of the most compelling characters out there. A man with an abundance of ambition and intelligence, yet he is someone who is consumed with overwhelming hubris. The man at points is despicable, a walking monstrosity. Yet there's still humanity in him, and you still feel sympathy towards him. This is an epic vision of humanity, and as egotistical Plainview is. He still feels human. I also adore how mature the film's script is. It deals with themes such as religion,capitalism, and human frailty. The acting is superb.....ah I'll stop with these pointless superlatives. I'll just end it at this. I Love this film. Its a reminder of why I love films so much, and it really is an outstanding achievement. I doubt PTA will ever top this, but I sure as hell would want to see him try.







The Conformist
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Keeping this mini-review short and sweet. Magnificent cinematography and a story that's quite good. It will not be making my 70's list, but its worth checking out.



The Last Picture Show


I like to think of this film as the Anti-American Graffiti. This isn't a nostalgic look at innocent sweet times of adolescence, in fact it's the complete opposite and I have nothing but respect for that. This film shows us a small little town with bored teenagers who don't really have much to do. The people there are unhappy, and all have problems of their own. Usually films about the teenage years glorify how great it was to be a young. How splendid their little town was, and how cheery the people living there were. This is a portrait of a dying town, a forlorn memory of times long gone.The word that best suits the film is:Bittersweet.




I'd definitely recommend viewing it at least once before you guys submit your lists.

Don't Look Now
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A very spiritual horror flick, and beautifully shot too I must add. There's a huge focus on the color red, red almost always signifying doom or impending death. I already knew the "twist" ending coming into it, but that doesn't take away from the film's palpable sense of suspense. The canals and streets of Italy look genuinely frightening,especially during the nighttime sequences.



Naked Lunch
+

There's a few cool scenes here, but I just got the vibe the film was being odd just for the sake of being odd.I suppose I like it a bit, but it's not top-tier Cronenberg by any means. Awesome makeup and practical effects though. I don't really know who to recommend this film to, but there's a scene in here where a typewriter pops a boner. I mean if that sounds up your alley then give it a go I guess.




September 30, 1955 (James Bridges, 1977)
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College student Richard Thomas’ life seems to lose meaning the day James Dean died, and he finds little solace from friend Tom Hulce.

I need to see this.



I think There Will Be Blood is great and I love The Conformist. Nice to see some recent positive ratings for it even though people don't seem to be loving it. Hoping it will make the 70s list obviously.

I have seen about an hour Don't Look Now, was interrupted and never got round to watching the rest, I will sometime, no idea what will happen.



Bright light. Bright light. Uh oh.
The more you know about James Dean and his movies, the better you'd like September 30, 1955, but I think it's a strong depiction of a time and a place anyway. I saw it on Cinemax, but I don't know when they're playing it again.



I just recently watched Rebel Without a Cause and East of Eden again. Hence the James Dean avatar/profile banner I recently had.



September 30, 1955 is on demand if you have that. I plan on watching it this weekend; never heard of it until Mark mentioned it in the 70's thread.



September 30, 1955 is on demand if you have that. I plan on watching it this weekend; never heard of it until Mark mentioned it in the 70's thread.
Unfortunately it's only on HBO On Demand. I don't have HBO.



Just got finished watching Straw Dogs, and holy ****, I don't remember the last a film has given me such an adrenaline rush. I'll try to collect my thoughts and write a review.

Straw Dogs (1971, Peckinpah)


Straw Dogs has an eerie feel from the start, intellect American, David (Dustin Hoffman) movies into a villager with his maturely younger S.O., Amy (Susan George). It's obvious in this film that **** is going to go down, you can figure from every poster... or if you just heard of the movie from someone, so perhaps it was premeditated that I'd feel some intensity, but the film itself definitely creates an uptight atmosphere. David and Amy have their differences, David's more mature but Amy has more smarts when it comes to the locals. They have some tense trivial arguments, but sexually they're happy. The surrounding characters are not so pleasant, except for some elitists everyone surrounding is trash, or soon to be trash. British hicks who have no entertainment outside of drinking or fantasizing over David's bombshell wife.



Trouble comes towards David's household, and trouble comes hard. It begins with some animal cruelty which always hits the emotions, and then a harsh rape scene. Difficult to watch, and feels comparable to the one in Girl With The Dragon Tattoo. The irony is, David came to this village to escape the chaos of America, with the war protests, race riots, notable assassinations really concentrated only three years before this films release date.

The notorious final sequence features insane violence, built up by a harrowing intensity. The plot line behind this was much more intricate than I expected, since this was no pointless violence. The film obviously doesn't endorse violence, but Peckinpah was not pulling a Haneke stunt, because I was hot headed and yelling for David to kill the bastards. David became a man and defended his household, and I'll applaud that. David also became a badass, not a super hero but that Bernhard Goetz type badass. Rooting for David was an exhilarating film watching experience, but also harsh since a true moral dilemma exists.


Dustin Hoffman compared to Berhnard Goetz

Straw Dogs is among the most intense films I've ever seen, which gets crazier and crazier as it goes along. With an amazing performance from one of the greats in Dustin Hoffman. Isolation is scary, but being alone is far from the scariest.

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Other Viewings
The Raid: Redemption-

The Family (2013)-

Five Easy Pieces-

Der Fuehrer's Face (short film)-
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Narco Cultura-
(harsh and undeserving, but really had trouble keeping my attention)
The Panic in Needle Park-


Also got a few Hitchcock re-watches in
Psycho-

North By Northwest-
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Edit: messed up Der Fuherer's face rating
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Yeah, there's no body mutilation in it



I watched like 20 minutes of Straw Dogs ages ago but was interrupted and never got round to finishing it even though I like Peckinpah from what I have seen so far, so will definitely try and watch it soon, especially with the 70s list. Nice ratings for the Hitchcock films, although a shame about Five Easy Pieces which I think is brilliant film.



Trying Real Hard To Be The Shepherd
Good review Donnie. It has been years since I watched Straw Dogs and it was very forgettable for me. You made me want to revisit.
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Letterboxd



Bright light. Bright light. Uh oh.

Rock of Ages (Adam Shankman, 2012)

Next of Kin (John Irvin, 1989)

Phantom Love (Nina Menkes, 2007)

Elephant Parts (William Dear, 1981)
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In his self-described video album, Michael Nesmith does early music videos amd comedy sketches, including one involving film noir.
White Oleander (Peter Kosminsky, 2002)

Pavement (Darrell James Roodt, 2002)
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A Thousand and One Nights (Alfred E. Green, 1945)
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Coffee Town (Brad Copeland, 2013)
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Website manager Glenn Howerton spends most of his time at the local coffeehouse but what he really wants is Adrianne Palicki.
Kicking & Screaming (Jesse Dylan, 2005)
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Where the Boys Are (Bertrand Bornello, 2009)
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Date Movie (Aaron Seltzer, 2006)
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Strike (Sergei Eisenstein, 1925)


Every cinematic trick and technique that Eisenstein had theorized are on display in his feature debut.
City of Ember (Gil Kenan, 2008)
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Stash House (Eduardo Rodriguez, 2012)

Cleanskin (Hadi Hajaig, 2012)

The Negotiator (F. Gary Gray, 1998)
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Police negotiator Samuel L. Jackson is accused of corruption and murder, so he takes several hostages, including commander Ron Rifkin, and tries to plead his case before another expert negotiator, Kevin Spacey.
The Object of My Affection (Nicholas Hytner. 1998)

Women Are Trouble (Errol Taggart 1936)

Marat/Sade (Peter Brook, 1967)

Submarine (Richard Ayoade, 2010)


Craig Roberts writes down reasons why Yasmin Paige should sleep with him, and after she scratches off the first, she approves.