Probably because light speed uses a disproportionate amount of fuel, whereas they know they're in a position to wait them out otherwise.
Of course they were being economical, how silly of me. Or maybe the whole idea of starships having "fuel" that we've never seen before is a bad idea.
Off the top of my head, how about because the fighters could just shoot them all if they actually had to launch themselves from a distance?
Regarding these last two questions: important to make a distinction in films (particularly sci-fi films) between "this doesn't make sense" and "this is not explicitly explained to us." It's not difficult to come up with all sorts of possible explanations for this kinda stuff, even though it would be absurd and boring to have it all enumerated in the film itself. These kinds of complaints are usually the result of not liking a film, rather than the cause of it.
Again maybe the bombers that behave like WW2 bombers are a terrible idea, slow moving easy targets packed with high explosive. I mean it's LOLbad.
You mean other than the fact that he's crazily impulsive and disobeyed a direct order earlier in the film?
Disobeying an order because he doesn't know the plan, and she has absolutely no reason not to tell him. Badly written just to give Po a reason to set the sidequest up.
That's the last decently sized ship they have. They're basically stuck wherever they land otherwise. I would think blowing it up in a suicide attack would be a last resort.
She is dead anyway, but waits till all the ships other than those with main cast in are left before her suicide bid, yeah right.
I don't know what this is referring to.
When Hux pulls back the fighters cause they are too far away from main fleet or some such.
This doesn't sound like a real question. You don't "need" any conflict in the film; bad things happen arbitrarily in all action films to provide obstacles that provide excuses for adventure.
Bad things are fine in films, of course as you say to act as a spark for adventure, just bad things that make some sort of basic logical sense would be nice.
I think this is a pretty apt comparison, actually. The, eh, energetic response we're seeing makes perfect sense if you think of these movies as a "religion," because trying something new with them is essentially equivalent to scribbling margin notes in the Bible. For those of us who just think it's a great series of movies, there's no automatic repulsion (and, indeed, a feeling of refreshment) when someone comes along and tries to do something different with them.
Someone comes along and totally ruins them you mean. Rian Johnston threw out the window just about everything that was set up in VII.
-Anakins lightsaber being a sort of character on it's own with Rey having a vision after touching it, then the lightsaber appears to jump to Rey's hand instead of Kylo. So what happens in TLJ, Luke literally throws it over his shoulder, into the sea for all he cares then later it is ripped in half.
-Snoke, no info no Kylo receiving training that he was supposed to finish, dispensed pathetically after quite an impressive display of power.
-A whole movie to find Luke, they find him, nope he's just a depressed old hobo, doesn't even train Rey, cool display of power then fades away.
- The Knights of Ren?? where are they? Just totally absent without reason, a quick backstory about how they were Luke's pupils.
-Rey's family, that look on Luke's face of empathy at the end of VII, nope she is a nobody.
-Kylo's mask, smashed to pieces, like all JJ's ideas.
Those defending the film are taking the "bold new direction" defense, yeah it's a new direction all right, a very bad one.
I don't see how this is relevant to anything, and I tend to think citing audience scores and box office numbers for some kind of moral support isn't something someone should have to do if they have a sound argument about the film itself.
Is there any better indicator for a "blockbuster" if you like than actual $$ performance or user ratings in the hundreds of thousands providing an overall score.