How about best speeches/monologues?

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ANGUSWhere he tell the bully to F#$K off!
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This is your life, and it's ending one minute at a time!



Hello Salem, my name's Winifred. What's yours
From Instinct

Theo Calder: Ok Ethan. You asked me a question once, "What has you all tied up in knots when you wake up sweating in the middle of the night?" You still wanna know? I've been thinking about it, been thinking about it a lot. It's not the work, I love the work. I've always loved the work. It's the game. The game, Ethan. And I was so good at it. I made sure all the right people liked me. At night, I'd go through the checklist in my mind: Am I cool with Ben Hillard? Am I cool with Dr. Josephson? Am I cool with all the people who can help me? Am I cool with all the people who can hurt me? Nobody thought I was weak or a loser. There was nobody I was offending, nobody I loved. *That* game, Ethan. But guess what? You taught me how to live outside of the game. You taught me how to *live*. And you know what scares me even more? That I'm going back in. "Forgive me, Ben. Put me back in the game. I'll make you like me again. I'll do the work, I'll do *all* the work, just put me back in the game." And you wanna know, you wanna know the psychology behind this? Now, pay attention, cause I'm good at this. I'm trying not to say goodbye to you. I'm trying not to say I'll miss you. I'm trying to forget you. Ethan Powell, case closed. *Case closed*. Look at me...

Aragorn: Hold your ground, hold your ground. Sons of Gondor, of Rohan, my brothers. I see in your eyes the same fear that would take the heart of me. A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day. An hour of wolves and shattered shields, when the age of men comes crashing down, but it is not this day. This day we fight! By all that you hold dear on this good Earth, I bid you *stand, Men of the West!*

k it could be considered dialogue as technically its onnly one character but oh well

Gollum: They're thieves! They're thieves! They're filthy little thieves! Where is it? Where is it? They stole it from us, our precious. Curse them! WE hates them! it's ours it is, and we wants it! We wants it, we needs it. Must have the precious. They stole it from us. Sneaky little hobbitses. Wicked, tricksy, false!
Smeagol: No! Not master.
Gollum: Yes precious. First they cheat you, hurt you, LIE.
Smeagol: Master's my friend!.
Gollum: You don't have any friends, nobody likes you!
Smeagol: I'm not listening, I'm not listening.
Gollum: You're a liar and a thief.
Smeagol: No!
Gollum: Murderer.
Smeagol: Go away!
Gollum: Go away?
[Gollum laughs as Smeagol begins crying]
Smeagol: I hate you, I hate you.
Gollum: Where would you be without me? Gollum! Gollum saved us! It was me! We survived because of me!
[Smeagol stops crying]
Smeagol: Not anymore.
Gollum: What did you say?
Smeagol: Master looks after us now, we don't need you anymore. Leave now and never come back!
Gollum: What?
Smeagol: LEAVE NOW AND NEVER COME BACK!
[Gollum screams in frustration]
Smeagol: LEAVE NOW AND NEVER COME BACK!
[Silence]
Smeagol: We told him to go away... and away he goes! Gone, gone, gone! Smeagol is free!
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All good people are asleep and dreaming.
Luke Martin's (Jon Voight) speech at the end of Coming Home.



I got for good luck my black tooth.
The Layout scene from Reservoir Dogs. The scene I got my signature from.
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"Like all dreamers, Steven mistook disenchantment for truth."



I got for good luck my black tooth.
Originally Posted by Conformist
ANGUSWhere he tell the bully to F#$K off!
Angus! id forgotten all about that movie. what a classic. It used to always be on tv but it never is anymore.



Hello Salem, my name's Winifred. What's yours
Angels in America has some of the best monologues ive ever seen

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Harper Pitt: I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see, because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules, of the stuff of ozone, and the outer rim absorbed them, and was repaired. Nothing's lost forever. In this world, there's a kind of painful progress. Longing for what we've left behind, and dreaming ahead. At least I think that's so.

Belize: Like San Francisco.
Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that ****.
Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens.
Roy Cohn: Isaiah.
Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths.
Roy Cohn: And a dragon atop a golden horde.
Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there.
Roy Cohn: And Heaven?
Belize: That was Heaven, Roy.
Roy: The **** it was.

Prior Walter: But still. Still bless me anyway. I want more life. I can't help myself. I do.I've lived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body more sores than skin when they're burned and in agony when flies lay eggs in the corners of the eyes of their children they live. Death usualy has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but i recognize the habbit. The addiction to being alive. So we live past hope. If i can find hope anywhere, that's it, that's the best i can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life. And if he comes back, take him to court. He walked out on us, he aughta pay.



A system of cells interlinked
"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams ... glitter in the dark near Tanhauser Gate. All those ... moments will be lost ... in time, like tears ... in rain. Time ... to die."


Roy Batty - Blade Runner
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“Film can't just be a long line of bliss. There's something we all like about the human struggle.” ― David Lynch



Standing in the Sunlight, Laughing
Putts posted the Chasing Amy speech by Silent Bob. I love that monologue.
Undercoverlover, I love the writing in Angels in America and especially this monologue, from Harper:
People who are lonely, people left alone, sit talking nonsense to the air, imagining…beautiful systems dying, old fixed orders spiraling apart… When you look at the ozone layer, from outside, from a spaceship, it looks like a pale blue halo, a gentle, shimmering aureole encircling the atmosphere, encircling the earth. Thirty miles above our heads, a thin layer of three-atom oxygen molecules, product of photosynthesis, which explains the fussy vegetable preference for visible light, its rejection of darker rays and emanations. Danger from without. It's a kind of gift from God, the crowning touch to the creation of the world: guardian angels, hands linked, make a spherical net, a blue-green nesting orb, a shell of safety for life itself. But everywhere, things are collapsing, lies surfacing, systems of defense giving way…This is why, Joe, this is why I shouldn't be left alone…

I'd like to go traveling. Leave you behind to worry. I'll send postcards with strange stamps and tantalizing messages on the back. "Later maybe." "Nevermore…"

I'm undecided. I feel…like something's going to give. It's 1985. Fifteen years till the third millenium. Maybe Christ will come again. Or maybe troubles will come, and the sky will collapse and there will be terrible rains and showers of poison light, or maybe my life is really fine, maybe Joe loves me and I'm only crazy thinking otherwise, or maybe not, maybe it's even worse than I know, maybe…I want to know, maybe I don't. The suspense…it's killing me…
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Review: Cabin in the Woods 8/10



Neutral Milk Hotel
Donnies Letter to Roberta Sparrow at the end.

Dear Roberta Sparrow,
I have reached the end of your book and there are so many questions that I need to ask you.
Sometimes I am afraid of what you might tell me. Sometimes I am afraid that this is not a work of fiction. I can only hope that the answers will come to me in my sleep.
I hope that when the world comes to an end I can breathe a sigh of relief, because there will be so much to look forward to.
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" I see in your eyes, the same fear that would take the heart of me. A day may come when the courage of men fails, whe we forsake our friends and break all bonds of fellowship, but it is not this day. May and hour of wolves and shattered shields before the age of men comes crashing down, but it is not this day! This day we Fight! For all that you hold dear on this good earth, I bid you stand men of the west!!"
-Aragorn: The Lord of the Rings the Return of the King



HOWARD PRINCE (Woody Allen): Fellas, I don't recognize the right of this committee to ask that kind of question; and furthermore, you can all go f_ck yourselves.

That's from The Front (1976).
I'm fairly certain that it's the last line of the movie and that really adds to the power of it.



[The scene is back to Inigo and Count Rugen. Inigo pulls the dagger from his stomach and tries to stand.]
Count Rugen: Good heavens...are you still trying to win? You've got an over-developed sense of vengeance. It's going to get you into trouble someday. [Rugen tries to slash Inigo through the heart, but Inigo blocks the attack. Rugen only stabs his arms.]
Inigo: Hello, my name is Inigo Montoya. You killed my father. Prepare to die. [Inigo still stumbles and holds his stomach. The Count and Inigo exchange attacks.] Hello, my name is Inigo Montoya. You killed my father. Prepare to die. [Inigo gains strength. He fiercely lunges at Count Rugen. Yelling] Hello, my name is Inigo Montoya! You killed my father! Prepare to die!
Count Rugen: [frightened and angry] Stop saying that! [Inigo nips Rugen]
Inigo: [enraged] Hello, my name is Inigo Montoya! You killed my father! Prepare to die! [Inigo corners Count Rugen and slashes his cheek] Offer me money! [He slashes his other cheek]
Count Rugen: All that I have and more. Please...
Inigo: Offer me anything I ask for.
Count Rugen: Anything you want... [Count Rugen tries a quick move on Inigo]
Inigo: [plunging his sword into Rugen's chest] I want my father back, you son of a bitch! [Count Rugen falls to the floor, dead. Inigo runs off to find Wesley.]



The poor English langauge, more like it. Why worry about the meanings of words at all?

Again, people: mono = one.
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"Film is a disease. When it infects your bloodstream it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to Film is more Film." - Frank Capra



The People's Republic of Clogher
"Choose Life. Choose a job. Choose a career. Choose a family. Choose a ****ing big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose DIY and wondering who the **** you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing ****ing junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, ****ed up brats you spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that? I chose not to choose life. I chose somethin' else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?" - Renton, Trainspotting

"Yeah, I know - and I can't even bloody spell. What about those poor bloody academics, those college graduates, battling their guts out to write some airy-fairy piece of exaggerated artwork? And here's a bloke, sitting in a cell, who can't spell, and he's written a best-seller. It's sold two hundred and fifty thousand copies. And it's still selling. And he's writing another one. And I can't even spell. I'm semi-bloody-illiterate." Mark Read, Chopper
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"Critics are like eunuchs in a harem; they know how the Tatty 100 is done, they've seen it done every day, but they're unable to do it themselves." - Brendan Behan



Gangster Henry Hill's “When I was broke I would go out and rob some more. We ran everything. We paid off cops. We paid off lawyers. We paid off judges. Everybody had their hands out. Everything was for the taking. And now it's all over. And that's the hardest part. Today, everything is different. There's no action. I have to wait around like everyone else. Can't even get decent food. Right after I got here I ordered some spaghetti with marinara sauce and I got egg noodles and ketchup. I'm an average nobody. I get to live the rest of my life like a schnook.” in GoodFellas


S. Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.

H. Goldfarb: You got friends, Ma.

S. Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.

---Requiem for a Dream---
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I want you to go to the window, open it, stick your head out and yell: "I'm as mad as hell, and I'm not going to take this any more!"



Hello Salem, my name's Winifred. What's yours
From Field of Dreams, ive always loved this speech:

Terence Mann: Ray, people will come Ray. They'll come to Iowa for reasons they can't even fathom. They'll turn up your driveway not knowing for sure why they're doing it. They'll arrive at your door as innocent as children, longing for the past. Of course, we won't mind if you look around, you'll say. It's only $20 per person. They'll pass over the money without even thinking about it: for it is money they have and peace they lack. And they'll walk out to the bleachers; sit in shirtsleeves on a perfect afternoon. They'll find they have reserved seats somewhere along one of the baselines, where they sat when they were children and cheered their heroes. And they'll watch the game and it'll be as if they dipped themselves in magic waters. The memories will be so thick they'll have to brush them away from their faces. People will come Ray. The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it's a part of our past, Ray. It reminds of us of all that once was good and it could be again. Oh... people will come Ray. People will most definitely come.



I think one of the best speeches is not from a movie but a tv show. There are two, both of Dawson's Creek. The first one is a video recording of a message from a dying mother to her baby girl...

Jen: Hi, Amy, it's mom. Well, by the time you see this, I won't be here anymore, and I know how much that sucks, for both of us. So seeing as how I won't be around to thoroughly annoy you, I thought I would give you a little list of the things that I wish for you. Well, there's the obvious. An education. Family. Friends. And a life that is full of the unexpected. Be sure to make mistakes. Make a lot of them, because there's no better way to learn and to grow, all right? And, um, I want you to spend a lot of time at the ocean, because the ocean forces you to dream, and I insist that you, my girl, be a dreamer. God. I've never really believed in god. In fact, I've spent a lot of time and energy trying to disprove that god exists. But I hope that you are able to believe in god, because the thing that I've come to realize, sweetheart... is that it just doesn't matter if god exists or not. The important thing is for you to believe in something, because I promise you that that belief will keep you warm at night, and I want you to feel safe always. And then there's love. I want you to love to the tips of your fingers, and when you find that love, wherever you find it, whoever you choose, don't run away from it. But you don't have to chase after it either. You just be patient, and it'll come to you, I promise, and when you least expect it, like you, like spending the best year of my life with the sweetest and the smartest and the most beautiful baby girl in the world. You don't be afraid, sweetheart. And remember, to love is to live.

The second is a voice over...

And now that this scared little girl no longer follows me wherever I go, I miss her. I do. 'Cause there are things I wanna tell her... to relax, to lighten up, that it is all going to be ok. I want her to know that meeting people who like you, who understand you, who actually accept you for who you are, will become an increasingly rare occurrence. Jen, Jack, Audrey, Andie, Pacey, and Dawson. These people who contributed to who I am, they are with me wherever I go, and as history gets rewritten in small ways with each passing day, my love for them only grows. Because the truth is... it was the best of times. Mistakes were made, hearts were broken, harsh lessons learned, but all of that has receded into fond memory now. How does it happen? Why are we so quick to forget the bad and romanticize the good? Maybe it's because we need to believe that the time we spent together actually meant something, that we were there for each other in a time in our lives that defined us all, a time in our lives that we will never forget. I can't swear this is exactly how it happened. But this is how it felt.

But considering this is a movie forum, i am going to list some stuff off actual movies...

Sebastian: Dear Annette, I don't know what I could possibly say that would rectify the harm I've caused you. The truth of the matter is that being with you was the only time I have ever been happy. My whole life has been a joke. I prided myself on taking joy in others' misery. Well, it finally backfired. I succeed in hurting the first person I ever loved. Enclosed is my most prized possession. My journal. For a long time I considered it my trophy. A sordid collection of my conquests. If you really want to know the truth than please read it. No more lies. Please give me another chance. I'm a wreck without you.

That is the letter Sebastion wrote to Annette in Cruel Intentions.

Lilo: [explaining the death of her parents to Stitch] It was raining, and they went for a drive. What happened to yours? I hear you crying at night. Are you thinking about them? I know that's why you wreck things, and push me.

Just one off Lilo and Stitch, i also like the one at the end but i can't find it.

Luv ya
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~~~28 days, 6 hours, 42 minutes, 12 seconds....that, is when the world....will end~~~



Welcome to the human race...
Tony Montana:

"What you lookin' at? You all a bunch of ****in' ********. You know why? You don't have the guts to be what you wanna be? You need people like me. You need people like me so you can point your ****in' fingers and say, "That's the bad guy." So... what that make you? Good? You're not good. You just know how to hide, how to lie. Me, I don't have that problem. Me, I always tell the truth. Even when I lie. So say good night to the bad guy! Come on. The last time you gonna see a bad guy like this again, let me tell you. Come on. Make way for the bad guy. There's a bad guy comin' through! Better get outta his way!"

"I never ****ed anybody over in my life didn't have it coming to them. You got that? All I have in this world is my balls and my word and I don't break them for no one. Do you understand? That piece of **** up there, I never liked him, I never trusted him. For all I know he had me set up and had my friend Angel Fernandez killed. But that's history. I'm here, he's not. Do you wanna go on with me, you say it. You don't, then you make a move."

That's all I can think of right now.



I hope this thread survives for as long as the site is up! It's a tribute to the education systems of the world, that apparently so very few folks today know (or care) what a monologue even is.