The Big Country made my list at seventeen. The big epic drama of Giant has never done much for me but I instantly fell for The Big Country. Archetypal characters pitched at a high level but I totally buy into it. Peck and Simmons are wonderful but it is the actors around them that make it for me, especially Burl Ives and Chuck Heston. As satisfying a picture as it is, The Big Country doesn’t seem to have the same sort of cache as other Westerns from the 1950s nor in the filmography of William Wyler (The Best Years of Our Lives, Ben-Hur) so I am happy and a bit surprised it placed so highly here.
You're right too in that the supporting cast is what really sells the film, and while I agree they archetypes - to a point, what sets them a part is that they each have their own character arch, small little backstories, and either grow or regress throughout the film. Also William Wyler, for some reason, outside of his heyday never really became a big name director the likes of Billy Wilder, Alfred Hitchcock, John Ford, or even a Howard Hawks has despite making both huge and intimate pictures. He's just not one of those directors that film aficionados like to go down his filmography and thoroughly watch his films and debate over what his masterpiece is and study his style and quirks the way we do with other directors of that period (40's and 50's). In addition to The Big Country, which is my favorite Wilder film, I also love The Westerner (despite not being a big Cary Cooper fan), The Children's Hour, Detective Story, Roman Holiday, and the very VERY underseen and under appreciated The Heiress.
I just truly don't understand for a director with at least a dozen good to great films under his belt, how his name didn't survive over the decades in the film nerd crowd the way the previously named directors have.
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"A candy colored clown!"
Member since Fall 2002
Top 100 Films, clicky below
http://www.movieforums.com/community...ad.php?t=26201