I don't understand your point here. First of all, it's your music festival. You can choose whoever you want. Why would you go with a neo-nazi maniac who would only taint the event and make the experience worse for everybody involved?
Secondly, being a serial rapist doesn't constitute "freedom of speech", it's just committing a crime.
I think it's fair to be against giving a platform to hate without being against the inherent concept of freedom of speech. Maybe a volatile racist can say whatever stupid shit they want to, but that doesn't mean I can't choose not to work with them. That's perfectly within my rights too.
My point wasn’t to deliberately invite a neo-Nazi maniac ‘just because’. I do remember a school event where teenagers tried to perform Green Day’s
Holiday and were told by the school they had to change the ‘Sieg Heil’ bit to ‘Hello’ in order to be able to perform it. I can see why a school would do that, though I also see why these kids wanted to respect the integrity of the original version and I respect that (and yes, it’s a ‘**** you’ to school, but I think the logic is sound). But we’re not in school anymore, the Oscars are for adults who don’t need to be shielded from things in advance.
My point was that if I loved this person’s music (take, I don’t know, IAMX), and if I found out that IAMX either became or has always secretly been a neo-Nazi, or has been accused of rape, I don’t think that makes his music any worse and constitutes reason enough not to have him as my entertainment. The only reason we supposedly don’t exist in a ‘vacuum’ is because of the internet, and the internet doesn’t rule everyone’s world.
It wouldn’t even occur to me, personally, to think in the direction of ‘platforming’ if I invited someone to perform at an event. Frankly I think it’s hilarious to think anyone’s such decision, even the Academy’s, can single-handedly take a platform from an established artist with a fan base. The hubris in thinking that, you know, wow!
If I was making a film/show with my own money and it had been set to largely be scored by IAMX (as with
How to Get Away With Murder), I wouldn’t change my mind or that set-up even if some allegations were floated. Five years ago it wouldn’t have even occurred to me that this film/show could then subsequently land in any sort of financial trouble because of that decision. It would literally have never crossed my mind to think,
‘Could someone have a problem with this artist? Let’s cover all the bases.’ I think it’s a disgrace to think like that.
Nowadays it would of course, but I would always try to stick to my creative gut and see what happens. I was personally thrilled that Phoenix’
Joker made such a killing because people were making similar noises that the film gives ‘a platform’ to undesirable people ‘we’ don’t like. So that shows it can be done, and if
Joker can make a killing, then I can do a blast of an event with IAMX even if he’s a convicted rapist.
I just don’t believe that reasonable people would see IAMX in my example and think,
‘Here’s a serial neo-Nazi rapist, why is he performing?’, I don’t see how that would be the primary consideration. I’m sure some people think like that but that’s their business, I don’t see why one should cater to them over those who don’t think like that. My view is people would see IAMX and think,
‘Here’s IAMX, that means the vibe should be such and such’, like in
HTGAWM or whatever it is. Or people would think, if they’ve never heard the music but read about IAMX,
‘This is a bit like Daft Punk’.
I’m surrounded by many art-, music- and film-loving people, family, acquaintances, colleagues etc., it’s obviously the kind of people I tend to hang out with. I do remember people saying they couldn’t watch
Death in Venice the same way after finding out about the abuse on set, and I actually felt the same discomfort on that front, but I still think the film should be screened and widely shown to people.
(Obviously Visconti is dead so ‘platforming’ is irrelevant but he’s actually a perfect example; the man was an Italian count, I’d love to see people de-platform that or take resources away from him. Everything he made was done using own money and I would go the same route. I remember he sold family jewels to finance his films, and good for him. Lesley Paterson, nominated for a BAFTA this year, had to run a marathon to finance her film and she won and did it. Maybe if everyone used their own resources instead of relying on corporate handouts, de-platforming would run its course naturally).
https://www.runnersworld.com/uk/news/a43155210/lesley-paterson-triathlete/
Either way, however, I don’t know anyone of any age, profession, race or nationality outside of Twitter who thinks that it makes sense for Marilyn Manson to not perform anymore nor release any music because he’s an abuser. In fact I and a lot of the people I know actively miss his music and feel the void it left, his recent stuff like
Killing Strangers from
John Wick was great and it’s a shame that I don’t get to experience that music anymore (including in
John Wick 4) because of some political crap.
Again, I disagree with your final point; being a rapist may be a crime, but being able to continue to make music or art as a rapist or write newspaper columns if you are a journalist without interference does constitute freedom of speech. The art/column doesn’t need to be
about the act of rape, but Gary Glitter deserves his
Joker soundtrack royalties because he’s earnt them, because the music is good, and he made it independently of whatever else he’s been up to.
It’s a consumer’s right not to watch Kevin Spacey’s films, not to read that journalist’s column or not to listen to Marilyn Manson, but that doesn’t mean Spacey shouldn’t continue to make films or Manson make new music. I firmly believe that all that ‘no-platforming’ stuff is juvenile and absurd, and of course the true greats can rise beyond that, and good for them.
Edit: seen JW4 now. Also, I know people will think I’m deliberately being controversial/contrarian/annoying, but Donnie Yen
makes this film, he brings it to life, and yes, he is cooler than Keanu (no wonder they didn’t dare kill him off). Donnie Yen rocks here, he is mesmerising. Obviously targeting the Asian market and all, but good for them.