I'm still processing the tragic events and am deeply saddened by evil we saw yesterday, so I treated myself to a trio of films today...each of which are wonderful films, all currently on Amazon Prime (which does have a good handful of classic films in their library)... two silly and fun satirical Marx Brothers films, and then a serious film... Humphrey Bogart's last film, which oddly enough I've only seen bits and pieces of, but never have sat down to watch it in its entirety. It's a dark and powerful piece of social commentary, and sadly there are so many people in the world... back then and today, just like the Rod Steiger character... but I know there are also people out there in the real world like the character Bogart plays too, which is silver lining and gives us hope.
The only complaint I have and it's nitpicky is that a person could have 25 thrown fights on their way to a heavyweight championship bout. That part of the story felt far fetched, but because of how the end of the film was handled, I was able to overlook that a bit and drop the suspension of disbelief. Bogart is probably our greatest movie star of all time... OK, not probably... IS. In terms of how active he was and how many great films he was in... he's tops, even edging out John Wayne for me. Sure I think there are better actors than Bogart, but he's our greatest Hollywood icon and representative of the medium of film as pure art and storytelling. Rod Steiger is so perfect too and the different styles play off perfectly on one another in
The Harder They Fall. It would make a great double bill with
On the Waterfront by the way, and I really do enjoy Bogart's last several years of films where he went more into social commentary and in more dynamic stories that what he did with the gangster films of the 1930s and the film noir/romantic leading man years of the early 1940s into the mid 40s... really possibly beginning with
The Treasure of the Sierra Madre and then making great pictures like
In a Lonely Place,
The Harder They Fall,
The Caine Mutiny, etc.
Oh and not to spoil the ending of a 70 year old film, but that very last sequence of shots where Bogart stands up to Steiger and announces his intentions to tell the world the truth... the way the camera lingered and how that was edited... I swear was to create tension that Bogart's character might be actually killed there in front of his wife or shortly after. I have a sneaking suspicion that it was deliberately written, directed, and edited in such a way that the audience knows that Bogart will never publish a single word and will be murdered after the credits role and maybe something like that couldn't be deliberately shown because of the MPAA Hayes code and audience expectation or something. Can anyone confirm or talk to this point? Did you get that impression too regarding the end of
The Harder They Fall? I know there's a handful of die hard Bogart and classic Hollywood film fans here.
Duck Soup - A+
Horse Feathers - A
The Harder They Fall - A