By Illustrator unknown. "Copyright 1954 Paramount Pictures Inc." - Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/inde...curid=87070083 Sabrina - (1954)
During Audrey Hepburn's heyday, while she was in her 20s, she ended up being paired with most of the leading actors of her time who were decades older than her. I mean, I get it. Fred Astaire, Humphrey Bogart, Cary Grant, Gregory Peck - not only did they bring the audiences in, but I'm sure Hepburn was thrilled to get to work with them. There was just this weird dichotomy between male and female performers that allowed male stars to build their status over a career where the female ones burst onto the scene in their youth and then had to fight to keep their status as they got older. The likes of Katherine Hepburn (no relation to Audrey) managed to buck the trend, but the way the system worked we were always destined to see young women swept off their feet by men 30 or so years older than them - again and again. To help put a Prince Charming stamp on proceedings, these characters were usually filthy rich as well - these were fairy tales, and since the United States didn't have their own royal family or monarchs, the closest thing to that was money. In
Sabrina Hepburn plays Sabrina Fairchild, the poor daughter of a chauffeur who nevertheless has the money to send his daughter to Paris for her education. Humphrey Bogart and William Holden play Linus and David Larrabee respectively - heirs to a business empire.
So, I wasn't expecting to find out that
Sabrina would move me all that much - but Billy Wilder (who to me seems to have two distinctly different modes of directing) has his less goofy hat on, and directs this with the panache I love when he takes things seriously. Also, in this story instead of Sabrina being swept off her feet, David and Linus are men she's known all her life. She's had a crush on David for a long time, but David Larrabee is a playboy thrice married already. Nevertheless, after discovering glamour and poise in Paris, David falls for her despite the fact that it'll cost the Larrabee family big time - he was meant to be marrying into a family that would help them seal a business deal worth a fortune. As Linus tries to break the couple up, he ends up falling for Sabrina as well. I'm skeptical - probably because I'm getting too old to believe that sudden fairytale romances really mean happily ever after - but I simply enjoyed watching Bogart, Hepburn and Holden enjoy their work with Wilder. Especially Bogart, whose iconic status was surely deserved and who was edging closer to his untimely death. The way Linus rescues Sabrina from an attempted suicide aches with kindness, care and an unspoken understanding that makes it the highlight of the film for me.
8/10