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After Blue, 2021

At some indeterminate point in the future, teenager Roxy (Paula Luna) lives with her hairdresser mother Zora (Elina Lowensohn) on a planet called After Blue where all of the citizens are women. When Roxy comes across a strange woman buried up to the neck on the beach she naively helps her escape, only to discover that she has freed notorious outlaw Kate Bush (Agata Buzek). Their community exiles Roxy and Zora, declaring that they can only return once they have killed Kate Bush.

While it overstays its welcome by about 30 minutes, the intriguing visuals and interwoven sexiness keep you engaged.



FULL REVIEW



Double Down (2007) -


I feel I'd need to watch more from Breen to be confident on why I enjoyed this so much, but whatever Breen was going for here, I found it fascinating. Of course, the acting is atrocious, the narration is beyond overbearing, the nudity is awkward, the plot is nonsensical, etc. However, the further I got into the film, the more intrigued I was by whatever it was doing. Again, I'm sure people who've seen more from Breen will be able to explain his strengths better, but one thing I noticed was how the runtime felt nonexistent. Given how much introductory narration filled the first third and given how not much happened throughout that section, it felt like a prolonged first minute. When I checked how far in I was and saw it was over 25 minutes, I remember feeling a mix of emotions to that discovery. No movie I've seen moves like this. I also found Breen's character completely baffling. The narration portrays him as a genius who seems to have invented every single thing imaginable, has ties to all kinds of governments and higher-ups, and he might've cured cancer. On the other hand, he has a cliché tragic backstory, has frequent hallucinations and regularly wakes up on the road next to his car, he's a hacker who plans to take control of Las Vegas, and has a tuna addiction. Just...wow! How exactly am I supposed to even read this character? Breen clearly doesn't intend for this to be comedic and reveals all these details with a straight face, so am I supposed to like or dislike his character? I genuinely have no idea. The entire film just seems so inexplicable in its merits I have to be impressed. I had little interest in watching anything from Breen prior to watching this, but I'm now eager to check out some more of his filmography.
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The Night They Raided Minsky's

This movie probably seemed a lot funnier when it was brand new in 1968, highlighting the quick ascend of a young director named William Friedkin.

The events in the film are reportedly a fictional account of the invention of the striptease at Minsky's Burlesque in 1925; the place was very real, but the events in the movie are completely made-up.

If nothing else, at least the movie has a very interesting cast that includes Jason Robards, Britt Ekland, Joseph Wiseman, Denholm Elliott, Elliott Gould and Bert Lahr.

It's also a little bit sad to realize that, other than Britt Ekland, all of the lead actors here are long gone....



The Big Sleep (1946) - Howard Hawks: 6/10



I forgot the opening line.

Fair use, https://en.wikipedia.org/w/index.php?curid=6791712

The Wind That Shakes the Barley - (2006)

Watching The Wind That Shakes the Barley makes me realise that I haven't seen all that many films which really take a deep dive into the Irish experience of their War of Independence and Civil War in the early 20th Century - and perhaps not many have been made because it seems such a sad, despairing story. Cillian Murphy leads a cast of Irish talent in this movie that won Ken Loach one of his two Palme d'Ors (the other being 2016 film I, Daniel Blake.) It's a very uncompromising movie with a lot of emotional fallout - Murphy's character, Damien O'Donovan, forgoes medical school when the call to arms becomes impossible to ignore, and must see his friends tortured while he personally is called upon to execute young men he knows and was once friends with. This is steeped with all kinds of loss, whether that be the loss of what could otherwise have been a free life, a loss of innocence, a loss of possible love and happiness, a loss of loved ones, dignity, friends, security and peace. It's a strangely muted war film, with soft Irish poetry whispered every time friends have a chance to rest and share their thoughts with each other. I've never seen conflict as poignantly captured on film, detailing the start of a tragic century for the Island nation.

8/10


By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=27438556

The Killer - (1989)

Watching The Killer is a kind of heavy experience, because it's a painful reminder of how action films in the late 1980s were so, so much better than the action films of today. There's a wonderfully perfect mix of the familiar with the exotic, and that makes the film all the more inviting right from the get-go. It's silly, a load of fun, way, way over the top and as far as violent action goes pure poetry. Full review here, in my watchlist thread.

9/10
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Latest Review : Double Down (2005)



Nomad (1982) - Two (or three) parallel young love stories, told in a New Wave style; it's a Hong Kong film but recalls the French... scenes cutting before you could catch a break and you're thrown in a scene without an immediately recognizable relation to the previous one, overwhelming locations and a variety of music choices (and camera angles) make Nomad the kind of movie that keeps one on their toes.

My one other Patrick Tam film (Love Massacre) scared the crap out of me so I was awaiting something deeply strange and alienating this time again but while at times, the tone and especially the last 7 minutes get jaw-dropping weird, I'm surprised at how much I liked the characters in this one and how many times I chuckled; at an unreal meet-cute, the apartment pollution bit when two of our love birds wanted to have "good clean fun" as a poster on the wall suggests, the love-making in the public bus that follows... all in all, I hadn't seen anything quite like this one. Maybe WkW, but he came after this... 8/10

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I had little interest in watching anything from Breen prior to watching this, but I'm now eager to check out some more of his filmography.
Breen is one of today's most important American directors. Maybe THE most important. The transformation of his Messianic auteur figure from a self-inserted troubled genius in a Malick-derivative (but BEFORE that kind of Malick) milieu to an Inland Empire-like hero and anti-hero in one flesh (in a meta sense; two persons in one body disguised as simply playing identical twins) also saw him warming up to the kind of CGI prevalent in inept African no-fi outsider art.

He's a true auteur in the sense that he just does his thing and doesn't care about the 'rational' criticism that is fiendishly easy to use to dismiss his work. I think his films are some of the most entertaining and artistically intriguing works in US cinema of the last 30 years, and it's a rarity an oeuvre is both these things at the same time.

And all this doesn't stop him from calling books boring in every single review on his Letterboxd account.
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Longlegs - (2024)

Not nearly as scary as people are saying. It's a good movie, but the hype is totally unjustified. 7/10
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Very strange, but good movie. Two leads are excellent.
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1st Rewatch...This silly and confusing Bond spoof is pretty much for hardcore fans of the stars. Cameron Diaz plays June Havens, a garage mechanic flying home for her sister's wedding who ends up on a plane with Roy Miller (Tom Cruise), a disgraced CIA agent who everyone on the plane tries to murder, plunging him and June into a world-wide road trip pursuing two sets of bad guys. Directed James Mangold (Ford Vs Ferrari, Walk the Line) mounts some viable action sequences, but the story is all over the place and the movie seems to go on forever. Didn't notice this the first time, but Cruise's character is named Miller and Diaz' character is named Havens, so I have no idea where the title of the movie comes from.






1st Rewatch...The 1963 instant comedy classic that made Peter Sellers a star, after 20 years in the business. Sellers still brings the funny as the bumbling Inspector Clouseau who is trailing a jewel thief known as the Phantom (David Niven), completely clueless that his wife (Capucine) is working with him. Sellers proves to be a master of physical comedy here, able to get laughs out of the simplest things, even just taking off a bathrobe. Blake Edwards proves to be a master behind the camera, producing a film so funny that it produced seven sequels, an animated television, a remake with Steve Martin and a sequel to that film.






2nd Rewatch...Six years after their smash hit Dumb and Dumber, Jim Carrey and the Farrelly brothers reunited for this crude, raunchy, but very funny comedy that starred Carrey as Charlie Baileygates. a trooper for the Rhode Island State Police, who has allowed people to treat him like a doormat for his entire life, who finally snaps and develops an alternate personality named Hank, who doesn't take any of the crap that Charlie does, which complicates Charlie's mission to transport and protect a woman on the run (Oscar winner Renee Zellweger). It takes a minute to get going, but this one really delivers the laughs, thanks primarily to Carrey, who creates two very distinct character in Charlie and Hank that are both entertaining in their own way. Carrey and Zellweger also have a solid supporting cast behind them including Oscar winner Chris Cooper, Robert Forster, Richard Jenkins, Anthony Anderson, and Tony Cox. Appointment viewing for Carrey fans.







1st Rewatch...A rich performance by the late Robin Williams playing a character who starts out extremely sympathetic and does a complete 180 is at the crux of this black comedy written and directed by Bobcat Goldwait. Williams plays Lance, an unpopular poetry teacher who really wants to be a writer, who teaches at the same school that his son, Kyle attends. Kyle is a sex-obsessed, obnoxious jerk who treats his father, and just about everyone else in his orbit, like dirt. One night, Lance discovers that Kyle has died in a very embarrassing way so he decides to cover it up, which includes an elaborate suicide note berating everyone for being mean to Kyle. Somehow the suicide note hits the internet and makes Kyle and his father media celebrities. Flattered by the attention he's getting, Lance decides to take it a step further and composes a fake journal for Kyle, garnering his creepy son even further fame. This story makes me very uncomfortable, it reminds me of the Broadway musical Dear Evan Hansen, but Williams does make it worth checking out. Goldwait's screenplay is unapologetic.



PERFECT DAYS
(2023, Wenders)



"Next time is next time. Now is now."

Perfect Days follows Hirayama (Kōji Yakusho), a humble man that works cleaning public toilets in Tokyo. When he's not working, he spends his time through a daily routine that includes listening music on his cassette tapes, reading, looking at trees and photographing them. The above quote seems to be his mantra, as he remains unfazed by what tomorrow might bring, but rather focused on the little pleasures that today might give him.

This is my first Wim Wenders film, a notable blindspot in my movie-watching journey, and I couldn't be more pleased with it. The way he delineates Hirayama's daily routine is great and Yakusho's performance is, for lack of a better word, perfect. Wenders then goes on to contrast Hirayama's way of living with characters like his co-worker, his niece, and his sister, among others, all while patiently revealing little tidbits of his past.

Grade:



Full review on my Movie Loot
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LUCA
(2021, Casarosa)



"You know, we underdogs have to look out for each other, right?"

Set in a small town in 1950s Italy, Luca follows the titular character (Jacob Tremblay), a sea creature, who meets Alberto (Jack Dylan Grazer), a fellow sea creature who lives alone. After discovering that he changes to human form when he's on land, the two set out to enjoy the summer, which will include exploring the nearby town of Portorosso. It is there that they meet Giulia (Emma Berman) and end up as the "underdogs" in a triathlon competition with the local bully.

This was a watch with the kids. I think they had seen it before, but it was a first-time watch for me, and I enjoyed it quite a bit. There is a charming simplicity to its story of friendship and acceptance that I enjoyed. The relationship between the three friends, especially Luca and Alberto, is well built, and it's fun to see them as "underdogs" looking out for each other. I think that aspect is the most important of the film.

Grade:



Full review on my Movie Loot



Cafe Lumiere (2003) 9











Reagan (2024)

Writing an entertaining but accurate screenplay for a biographical film is a tricky proposition. The facts of the subject’s life are generally well known, so the challenge is to patch together many of the individual’s career highlights while making the presentation interesting and entertaining. The Aviator (2024) is one such successful picture that comes to mind.

Once the framework and highlights are selected, it is then up to the screenwriter, the director, and the production designer to come up with the makings of an appealing film. In addition, if the actors are keenly selected for their pertinent talents, then that is a winning combination.

In the case of Reagan the casting was first rate: Dennis Quaid was the perfect choice to portray Ronald Reagan. Quaid avoided attempting a direct impersonation, but his voice, reasonably similar looks to Reagan, and his ability to capture Reagan’s mannerisms made the character come alive. So too was Penelope Ann Miller well chosen to portray Nancy Reagan. At times she perfectly evoked her real life character. Even Dan Lauria as Reagan’s combatant and friend, feisty Speaker of the House Tip O’neill, was perfectly summoned up. One of the acting highlights is veteran Jon Voight in his portrayal of fictional retired KGB agent Viktor Petrovich. Voight’s is a nuanced performance, and his role provides the skeleton upon which the story is told.
The Petrovich character is a compendium of various KGB agents who had been assigned to study Reagan’s activities and policies from the time Reagan was president of the Screen Actors Guild, on through his terms as President. The screenplay by Howard Kausner is based upon Paul Kengor’s 2006 book, The Crusader: Ronald Reagan and the Fall of Communism. Not having read the book, it presumably fully lays out Reagan’s rise as a serious ideologue and anti-communist following World War II. The film takes us from Reagan’s childhood, his acting career, marriages, SAG presidency (1947-1952 & 1959-1960), California Governor (1967-1975), two terms as U.S. President (1981-1989), and his remaining days at the Reagan Ranch in Santa Barbara, California stricken with Alzheimer’s disease which led to his death in 2004. It covers famous highlights from his speeches, such as his winning debate comment regarding Walter Mondale, “I am not going to exploit for political purposes my opponent's youth and inexperience", to his demand to the Soviet Union General Secretary while speaking at the Berlin Wall, “Mr. Gorbachev, tear down this wall.” The movie opens with the assassination attempt of 1981, not long after taking office.

So while Reagan’s true history provides more than enough material for a compelling film, it is the choice of screen writer and director that somewhat diminishes the finished project. Director Sean McNamara and screen writer Howard Kausner are both undistinguished talents. McNamara has worked chiefly in the pre-teen market, whereas Kausner has few highlights in his career. By comparison the aforementioned The Aviator had the writer & director team of Martin Scorsese and John Logan-- both seasoned film makers with many credits to their names.

It’s fair to say that Reagan has a built in fan base of individuals in their mid-fifties and up, who fondly recall President Reagan’s terms in office. He enjoyed a wide popularity irrespective of political affiliation due to his affability, traditional heartland values, and strength of character. Still, with an audience approval rating of 98% the movie has likely charmed many of a younger audience.|

So if you are not familiar with Ronald Reagan, or even if you are, the picture relates a fair recounting of his actions, and also of an era that was much simpler than our modern times.

Doc’s rating: 7/10