Rate The Last Movie You Saw

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Vision Quest - (1985)

This movie is called Crazy For You in Australia, but imagine my surprise when "Vision Quest" came up in the opening credits. We normally change the title in the actual credits when a movie is retitled, but I guess nobody could be buggered to do it this time around. The reason for the change was that Madonna's chart topping "Crazy For You" had hit big by then, and it sold the movie a little better. Madonna herself is in this very formulaic coming-of-age sports movie, or at least, she sings in a nightclub - her first appearance in a film as Madonna and not Louise Ciccone. Forest Whitaker also has a small part, but pretty much exists in the background (his character's name is "Balldozer".) Great soundtrack - but oh boy, do they decide to go with all of the cheesy clichés with gusto here. The speech from the coach, the friend living with an abusive dad, the love interest (Linda Fiorentino) who wrestling high school student Louden Swain (a young Matthew Modine) thinks is going out with his teacher, prompting him to go nuts, whereupon Linda gives him a bloodied nose that threatens to derail his make-or-break wrestling match. Will he win, or will this film go against every other sports film in movie history? There's lots of pinning and grunting and flipping - Ronny Cox plays the dad, and while I can't fault much, this is pretty bland. I now have "Crazy For You" going around and around and around in my head - I can't stop it.

6/10


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She Dies Tomorrow - (2020)

We live in a world that functions the way it does because we put the thought of the inevitability of our death aside, and distracting ourselves from that reality is the only way we move forward and exist as constructive members of society. That in itself is an interesting topic to base a film around, and so as a concept I really liked Amy Seimetz's movie a lot. Full review here, in my watchlist thread.

7/10

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The Lair of the White Worm (1988)

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[ J ] - [ S ] - [ F ]

Umpteenth Rewatch....Rewatched the theatrical version of this on You Tube tonight and noticed a major addition to the original film. The film originally opened with photographs of Cosby's five children, including his late son Ennis, in silence, but the version I watched tonight, the photographs were underscored by a very funny song sung by Cosby himself. For those of you who are still able to separate the man from the artist, there is still a lot of funny stuff here that still makes me laugh out loud.

Paprika follows different groups that are trying to bridge that gap between dreams and science. There's the scientists that developed a device – the DC Mini – that allows them to actually view other people's dreams, to a mysterious "terrorist" that has stolen one of these to somehow become all-powerful. Somewhere in between, there's the titular character, Paprika, a dream alter-ego of scientist Atsuko Chiba (Megumi Hayashibara) who has been using the DC Mini "off the grid" to help some patients.

This was a recommendation from an online friend and my first film from Satoshi Kon. I've never considered myself an anime guy, but I decided to give it a shot. The film has many of the trademarks I usually associate with anime, but it is also a very unique premise that is also executed in a unique way. Paprika moves at a pace that makes you feel like the characters of the film, as if you were catching up on everything. As the manifestations of these dreams keep growing, the story becomes more weird and bizarre and it's interesting to try to figure out what's going on.

Grade:


Full review on my Movie Loot

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All-time great VHS box on the wall at a family-owned video store.

We didn’t have cable growing up. Even if we did, we wouldn’t have had HBO. But a guy my dad worked with did and he would record HBO. This is how I saw Making the Grade 🥳 and this.

It stands side-by-side with Delirious as the best standup special I’ve ever seen. Both problematic in their own way, but also legendary.

Set in the same universe but barely referencing the original, Twisters follows Oklahoma native Kate (Daisy Edgar-Jones), a young tornado chaser and aspiring meteorologist with "a gift" to predict storms and tornadoes. When tragedy strikes her team during an intense tornado, she relocates to New York City to work for NOAA. That is until her friend and former colleague Javi (Anthony Ramos) lures her back to her hometown to help him with his new storm chasing company.

Overall, Twisters does what most sequels do; go bigger, as the title implies. This doesn't always equate to quality, but that doesn't mean that Twisters is not without its strengths. First of all, I found it interesting how the film puts our hero into what is essentially Cary Elwes team in the original. Javi is definitely not a bad guy, but his company follows the stereotypical "evil corporate" trope full of nameless/faceless drones. All while they look down at Tyler Owens (Glen Powell) ragtag team of colorful tornado chasers, which is pretty much a proxy of Helen Hunt's team.

Grade:


Full review on my Movie Loot

I never associated Madonna's song with this movie. It was always this one ...

Jessica Forever, 2018

In an undefined near future, male orphans are violently hunted down and killed by a government controlled army of drones. Coming to their rescue is Jessica (Aomi Muyock), the leader of a group of abandoned young men. Constantly on the run, Jessica and her crew attempt to create space for the young men to overcome their trauma and integrate into society.

An outlandish premise and a handful of stunning visual moments don’t quite give this sci-fi drama the emotional resonance it seems to be chasing.



FULL REVIEW

Imagine a hitman movie so atrocious, it manages to make Hitman's Wife's Bodyguard seem like Citizen Kane.

Yes, the new Dave Bautista movie is, unfortunately, just as dumb (or if you can imagine it, even dumber) than the trailers made it seem.

It's a movie so bad, that it somehow makes you appreciate the relative sophistication of the usual yahoo action fare that Netflix cranks out with the regularity of a Swiss clock.

The movie also criminally wastes the talent of very charismatic performers like Pom Klementieff and Sofia Boutella, as well as Oscar-winner Ben Kingsley.

(How sad is it that the movie serves as an unofficial reunion for 3 of the most appealing cast members of the MCU?)

Don't be surprised if this one gets several Razzie nominations - although it is of course just as likely that the movie will soon be completely forgotten.

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Rebel Ridge - (2024)

One of the big issues that attracted me to Rebel Ridge was the whole "civil forfeiture" thing, which is a good idea in principle but so open to corruption (and indeed, encourages corruption) that it inevitably authors it's own horror stories. That gets a little lost in the way Rebel Ridge progresses into something of a conventionally structured thriller, but I like that the idea is there. Aaron Pierre is new to me - I've seen Old, but I can't quite place him in that movie - his eyes convey the inner strength and determination he has to project, and are piercing. Don Johnson has found new life for himself as a crooked, corrupt and overconfident police chief - the best role I've seen him in during this latest incarnation of his career. AnnaSophia Robb is given a lot to do in this, and isn't sidelined by her two costars. It's a really solid, satisfying, engaging thriller - and people who are about to go postal should watch carefully, because Terry Richmond (Pierre) unleashes his righteous fury in ways that are ingenious for the way they uphold strict moral standards all the while. It flew by, considering it's lengthy running time.

7/10

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Set in feudal Korea, Pulgasari follows the titular creature, a Godzilla-like kaiju created by an imprisoned blacksmith and brought to life by his daughter, Ami (Chang Son Hui), creating a bond with her. Pulgasari then becomes an ally of the rebels against the region's oppressive ruler. Although the premise might not sound overly special, it is the story behind the production of the film what sets it apart.

Pulgasari's director, Shin Sang-ok, had been kidnapped along with his wife, by North Korea's "Supreme Leader" Kim Jong Il. An avid cinephile himself, Kim wanted the filmmaking couple to make propaganda films for the nation. Pulgasari ended up being Shin's last film for the ruler, before he escaped in 1986. As a result, Kim removed his name from the credits and the film was banned for several years.

Grade:


Full review on my Movie Loot

A Simple Plan - 1998

Never heard of this flick. Slipped through the cracks on me...I know most 90s films, especially with decently famous actors. The premise of the movie was excellent, very provocative. It wavered back and forth from being a good flick to a silly one. It straddled it quite impressively to me.

I guess Billy Bob Thorton and his buddy in the movie did ok. I think his buddy in the movie was a little heavy handed in his delivery. Not an ounce of a redeeming quality in him. Billy Bob's character wasn't very consistent to me. He was suppose to be slow I think but then he would have moments he would figure things out before Paxton. I could feel him acting a bit in some scenes then others he was great. I think the problem was his character just didn't feel consistent to me.

The film is super intriguing because you sort of ask yourself what would you do if you found a bag of money? Anyways the ending was a really good scene up to a point and then I ended up laughing, it was sort of pointless lol. Very cool premise and super provocative but I felt a little shaky in the execution of the plot. Possibly why it didn't quite endure like most 90s films. Movie felt like a streaky shooter in basketball...would make like 8 baskets in a row then go ice cold. I'll be a little harsh but could improve on a repeat watch.

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I came here to do two things, drink some beer and kick some ass, looks like we are almost outta beer - Dazed and Confused

101 Favorite Movies (2019)

Folk, 2024





In short: The film was HILARIOUS. Walsh is fantastic at deadpan.

I had no plans to see this, but my brother in law ended up having tickets he couldn't use due to his band getting an unexpected gig as as a fill-in at a local place a few towns over.

My expectations were that I would meet my friend, we would walk into the theater, have our pick of the best seats, afterward enjoying the film with the other 4 people in attendance, with the possibility of a full half of those people walking out in the first 20 minutes. This is a film put out by The Daily Wire, and I live in Massachusetts.

We walked in during previews and the place was over 2/3 full. No one walked out and there was applause after the film. People were roaring with laughter, including my friend and myself.

Funny shit, and totally worth the ticket.

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Yol (1982) - Turkish drama following a few men on leave from prison by getting into their personal lives and ways in which they're facing oppresseion from either their family or society at large while maintaining stoic looks from outside.

The structure is of the kind that is always attractive and while I need to watch it again for some clarifications here and there, this kinda broke me... its realism recalled neo-realism (a certain character's crying at the end reminded me of the ending to Bicycle Thieves) and it's cinematography was captivating (those shots in the dark)... Look up the director Yilmaz Güney and how he directed this, from prison no less... legend material. 8/10.

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HEI guys.

Imagine someone trying to rip-off the Borat movie, but without being the least bit funny.

That's what watching this movie feels like, the audience I watched it with just sat there dumbfounded and didn't find anything about it remotely funny (except for how pathetic it is to take advantage of well-meaning people by setting up interviews under completely false pretenses).

One can only imagine that the people who were duped by the filmmakers had already granted permission for the interviews to be used before finding out that the person doing the interviewing wasn't the least bit serious about anything.

The only good thing that will come out from all of this is that people will hopefully not be duped again by the same filmmaking team.

A dreadful experience, for sure.

This is what I pay Internet for :applause:

Speak No Evil (2022)



If you watch this as a Survival Horror then this story isn't going to make much sense, and I find it very hard to believe that the filmmaker wasn't aware of that.
So I figured, perhaps I wasn't meant to be taken at face value.

It has an underlying tone of submissiveness especially from the Danish husband's point of view because he's feeling trapped in a well-organised but unsatisfying life of keeping up appearances.
His incapacity or unwillingness to act like the man he wants to be makes the excesses of tragedy and cruelty that unfold more effective from a metaphorical point of view - and then the motives of the Dutch couple (which are never explained anyway) don't seem very important in the grand scheme of things.
"Why are you doing this?"
"Because you let me".

But then again, it's also possible that I'm giving this screenplay way too much credit and maybe it's a very stupid movie after all.
I guess I'll never know....and that's why this film is un-rateable.