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Victim of The Night


Il Demonio, 1963

Purif (Daliah Lavi) is a mentally ill young woman living in a small, rural Italian village, where she is shunned for her erratic behavior and the suspicion that she is a witch and possibly also possessed. Purif is erotically obsessed with Antonio (Frank Wolff), and when he becomes engaged to a woman from the village, Purif’s behavior grows more extreme. The superstitious villagers show increasing hostility and violence toward Purif as they decide she is to blame for multiple turns of bad fortune.

This is a damning examination of the intersection of the nastiest parts of religious belief and patriarchy.



Really lovely, really disturbing film. Full review in my time-travel thread.
Well, after your review, I still wanna see this movie, actually much more than before... but I don't think this month.



Victim of The Night
Before we got too far away, as I am about to move on and close the book on it, I wanted to post this link to Roger Ebert's contemporaneous review of Ghost Story.

https://www.rogerebert.com/reviews/ghost-story-1981



Victim of The Night

On Halloween night in 1992 the BBC aired a program that appeared to be an investigative journalism report taking a crew into the home of a family who reportedly were being menaced by a haunting. They used real BBC hosts and IJs, faces people knew, and went into this home with cameras and questions and into the studio with experts and phone banks. What they did not do was a very good job of telling people it wasn't real. This was BBC1, after all. Now, many viewers were savvy enough to see it for what it was... but many, obviously, were not as the station received a million phone calls that night and ended up before the Broadcasting Standards Commission.
People have told me for years that this is quite effective and I should watch it and here I go.

At first it seems a little too quaint and maybe even corny, but then once you get dug in to the time-frame, it becomes credible again, like probably it was always credible and you were just being too modern and cynical. For a while I was really buying in and I thought especially the performances of the on-site reporter, Pam Greene, and the older guy in the studio, Michael Parkinson, were really top-notch too, really selling me on this. Unfortunately the first ghostly reveal is very hokey and undoes some of the tension. If people didn't realize it was theater at this point, I almost feel like that's on them.
They do a fairly good job setting up the family and a little bit of what's going on and then the movie kinda drags for a long, long while and I actually lost interest and started fidgeting around. Then a big reveal is revealed and the revelation spins things a certain way that, if you were watching in 1992 might have meant the end of it. Then the final act kicks in and it actually becomes quite tense... and then they have one more surprise for you, a pretty big one that you either buy into or you don't.
It does rather end with a bang if you're on board. I can see why that disturbed people. No resolution. If you thought you were watching a live BBC production, yikes.
I'll go ahead and say that whether it's your cup of tea or not, this is worth seeing at least once.


Post Script:
I'm sorry, I couldn't' not say more about what I considered the big gaffe in the production, the first sighting of Pipes The Ghost.
A caller calls in after they watch some footage of the children sleeping before they are awakened by the ghost and they specifically say that somebody saw a “figure” in the background by the curtains. So I rewound it and there’s nothing but it looks like maybe there could just the slightest hint of someone behind the one on the right, so slight.
But when the host and doctor in the studio go back to the footage to check there’s just clearly a ******* person standing there (in double-exposure). And yet they’re all like, “Do you see anything? I don’t see anything? Huh.” And it’s as clear as if the person (which is like double-exposed or whatever) was just an actor standing there, practically in the middle of the frame. You cannot miss it. It is impossible. You can see him better than you can the kids.


And then they even zoom in on screen right in front of them and point it out on the screen with a light pen on the screen like, "Could this be it, could this be what people think they're seeing? Hmmm... No, no, I just don't see it, Doctor, do you see it? No? Well, I guess we'll just move on then..."

I was just like, what the actual? Is this the kind of thing I'm gonna have to swallow this whole time? Cuz if so then I call bullshit on this whole story of people believing it and kids being traumatized and all that stuff. That's a dude standing in front of the curtains and anyone can see it. Eye roll.



Victim of The Night
I really enjoyed Ghostwatch.
I'm pretty sure you are the person who put it on my radar.



Had myself a Corrado Farina double feature, as one does.



They Have Changed Their Face (1971) is included in the Danza Macabra box set (along with the previously-reviewed The Devil's Lover). This is another one that is not as "gothic" as I normally like in October but I'm glad it was included or else I might not have given it a look. It's kind of a modern retelling of Dracula (although loose). An employee of an automotive manufacturer, who sort of stands in for Jonathan Harker I guess, gets invited to the remote mansion of the company's CEO. His name is Giovanni Nosferatu, in case the Dracula thing wasn't clear enough for you. Once there, our hero encounters Nosferatu's secretary (Geraldine Hooper, who will be familiar to Deep Red fans) who sort of acts as the Renfield of our story. This one is more freaky than spooky, with some touches of humor. For example, the marketing guy that screens his new ad for LSD ----



There's a briefly spooky scene in Nosferatu's crypt but this is mostly about consumer culture and capitalism and so on. Good stuff, but maybe save it for a non-October month.




Baba Yaga (1973) concerns a photographer who gets a lift one night from someone who turns out to be Baba Yaga herself, and finds herself in a bit of a Witch-uation, if you will. Lots of freaky nightmares ensue, a doll in S&M gear comes to life, there's incredible 70s fashions and home decor, and some funky tunes on the soundtrack. Again, more surreal than spooky but all of this is completely up my alley so I'm not sorry I watched it. I looked up Wooley's old write-up and we're basically on the same page with this one. Another recommendation!
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Captain's Log
My Collection







Watched this one with Saturday morning breakfast, and while there's better Halloween specials out there, this one delivers on the October vibe. Scarecrows, witches and ghosts all in cozy browns and oranges.