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Victim of The Night


Il Demonio, 1963

Purif (Daliah Lavi) is a mentally ill young woman living in a small, rural Italian village, where she is shunned for her erratic behavior and the suspicion that she is a witch and possibly also possessed. Purif is erotically obsessed with Antonio (Frank Wolff), and when he becomes engaged to a woman from the village, Purif’s behavior grows more extreme. The superstitious villagers show increasing hostility and violence toward Purif as they decide she is to blame for multiple turns of bad fortune.

This is a damning examination of the intersection of the nastiest parts of religious belief and patriarchy.



Really lovely, really disturbing film. Full review in my time-travel thread.
Well, after your review, I still wanna see this movie, actually much more than before... but I don't think this month.



Victim of The Night
Before we got too far away, as I am about to move on and close the book on it, I wanted to post this link to Roger Ebert's contemporaneous review of Ghost Story.

https://www.rogerebert.com/reviews/ghost-story-1981



Victim of The Night

On Halloween night in 1992 the BBC aired a program that appeared to be an investigative journalism report taking a crew into the home of a family who reportedly were being menaced by a haunting. They used real BBC hosts and IJs, faces people knew, and went into this home with cameras and questions and into the studio with experts and phone banks. What they did not do was a very good job of telling people it wasn't real. This was BBC1, after all. Now, many viewers were savvy enough to see it for what it was... but many, obviously, were not as the station received a million phone calls that night and ended up before the Broadcasting Standards Commission.
People have told me for years that this is quite effective and I should watch it and here I go.

At first it seems a little too quaint and maybe even corny, but then once you get dug in to the time-frame, it becomes credible again, like probably it was always credible and you were just being too modern and cynical. For a while I was really buying in and I thought especially the performances of the on-site reporter, Pam Greene, and the older guy in the studio, Michael Parkinson, were really top-notch too, really selling me on this. Unfortunately the first ghostly reveal is very hokey and undoes some of the tension. If people didn't realize it was theater at this point, I almost feel like that's on them.
They do a fairly good job setting up the family and a little bit of what's going on and then the movie kinda drags for a long, long while and I actually lost interest and started fidgeting around. Then a big reveal is revealed and the revelation spins things a certain way that, if you were watching in 1992 might have meant the end of it. Then the final act kicks in and it actually becomes quite tense... and then they have one more surprise for you, a pretty big one that you either buy into or you don't.
It does rather end with a bang if you're on board. I can see why that disturbed people. No resolution. If you thought you were watching a live BBC production, yikes.
I'll go ahead and say that whether it's your cup of tea or not, this is worth seeing at least once.


Post Script:
I'm sorry, I couldn't' not say more about what I considered the big gaffe in the production, the first sighting of Pipes The Ghost.
A caller calls in after they watch some footage of the children sleeping before they are awakened by the ghost and they specifically say that somebody saw a “figure” in the background by the curtains. So I rewound it and there’s nothing but it looks like maybe there could just the slightest hint of someone behind the one on the right, so slight.
But when the host and doctor in the studio go back to the footage to check there’s just clearly a ******* person standing there (in double-exposure). And yet they’re all like, “Do you see anything? I don’t see anything? Huh.” And it’s as clear as if the person (which is like double-exposed or whatever) was just an actor standing there, practically in the middle of the frame. You cannot miss it. It is impossible. You can see him better than you can the kids.


And then they even zoom in on screen right in front of them and point it out on the screen with a light pen on the screen like, "Could this be it, could this be what people think they're seeing? Hmmm... No, no, I just don't see it, Doctor, do you see it? No? Well, I guess we'll just move on then..."

I was just like, what the actual? Is this the kind of thing I'm gonna have to swallow this whole time? Cuz if so then I call bullshit on this whole story of people believing it and kids being traumatized and all that stuff. That's a dude standing in front of the curtains and anyone can see it. Eye roll.



Victim of The Night
I really enjoyed Ghostwatch.
I'm pretty sure you are the person who put it on my radar.



Victim of The Night
I'm cryin' 96 tears from 96 eyes.




Had myself a Corrado Farina double feature, as one does.



They Have Changed Their Face (1971) is included in the Danza Macabra box set (along with the previously-reviewed The Devil's Lover). This is another one that is not as "gothic" as I normally like in October but I'm glad it was included or else I might not have given it a look. It's kind of a modern retelling of Dracula (although loose). An employee of an automotive manufacturer, who sort of stands in for Jonathan Harker I guess, gets invited to the remote mansion of the company's CEO. His name is Giovanni Nosferatu, in case the Dracula thing wasn't clear enough for you. Once there, our hero encounters Nosferatu's secretary (Geraldine Hooper, who will be familiar to Deep Red fans) who sort of acts as the Renfield of our story. This one is more freaky than spooky, with some touches of humor. For example, the marketing guy that screens his new ad for LSD ----



There's a briefly spooky scene in Nosferatu's crypt but this is mostly about consumer culture and capitalism and so on. Good stuff, but maybe save it for a non-October month.




Baba Yaga (1973) concerns a photographer who gets a lift one night from someone who turns out to be Baba Yaga herself, and finds herself in a bit of a Witch-uation, if you will. Lots of freaky nightmares ensue, a doll in S&M gear comes to life, there's incredible 70s fashions and home decor, and some funky tunes on the soundtrack. Again, more surreal than spooky but all of this is completely up my alley so I'm not sorry I watched it. I looked up Wooley's old write-up and we're basically on the same page with this one. Another recommendation!
__________________
Captain's Log
My Collection







Watched this one with Saturday morning breakfast, and while there's better Halloween specials out there, this one delivers on the October vibe. Scarecrows, witches and ghosts all in cozy browns and oranges.



Victim of The Night



Baba Yaga (1973) concerns a photographer who gets a lift one night from someone who turns out to be Baba Yaga herself, and finds herself in a bit of a Witch-uation, if you will. Lots of freaky nightmares ensue, a doll in S&M gear comes to life, there's incredible 70s fashions and home decor, and some funky tunes on the soundtrack. Again, more surreal than spooky but all of this is completely up my alley so I'm not sorry I watched it. I looked up Wooley's old write-up and we're basically on the same page with this one. Another recommendation![/center]
Yesss!!!

("Witch-uation". Nice.)





The Premature Burial, 1962

Guy (Ray Milland) is an artist who, accompanying a doctor exhuming bodies, witnesses a corpse that was buried alive. Traumatized by the horrifying situation, Guy becomes obsessed with the idea of premature burial, reigniting his own convictions that his own father was mistakenly buried alive. Guy’s young wife, Emily (Hazel Court), brings in a doctor named Miles (Richard Ney) to help her husband with his obsession. Meanwhile, Guy’s sister Kate (Heather Angel), seems intent on driving Emily from the family house.

Boosted by some strong imagery and a twisty final act, this is a fun fog-and-doom horror yarn.

This isn’t a film that stands out incredibly, but a really strong last 15 minutes or so leave a pleasant impression once the film ends. An easy spooky season recommendation.



Full review over in the time machine.



I watched Baba Yaga last year based on Wooley's write-up (and it being on Prime at the time), and heartily endorse this movie.



Victim of The Night


"You are all my children now."

Freddy is sorta back in this sequel to the 1984 classic. A new family has moved into the Elm Street house, which sat deserted for five years after the previous incident. And the teenage son, Jesse, is the target of Freddy this time who wants to use Jesse's body to kill in the real world.
This is probably the most overlooked and forgotten film in the entire franchise and I myself had not seen it for probably 15-20 years, the longest stretch for any film in the series other than Freddy's Dead. And I always maintained a soft-spot for it since it is the last one in which what I consider to be the real, original Freddy appears (before he becomes a parody, albeit a fun one). But would this movie hold up?
Actually a lot of this is not bad compared to other Horror movies of like ’85, ’86, ’87, say. It’s just not nearly as good as its predecessor or nearly as silly and over the top as its successor. So it makes sense that it gets lost in the shuffle. Also the narrative doesn't really hold up under, well, any scrutiny but honestly, in a 1985 Horror/Slasher, is that any kind of outlier?
One thing I will say is that there’s an evolution to Freddy from the first movie. In the first film he’s evil and malicious and vengeful and all, but he’s so in control that he always seems at ease and enjoying himself (without all the quips and silly antics of Dream Warriors). In this movie, he seems extremely pissed off. Like his situation of being a ghost trapped in dreams has made him bitter and hateful and angry. He’s not having any fun, he’s just vicious and mean.
And he is really a ghost haunting the Elm Street house. He’s not invading anyone else’s nightmares, and the story is unclear if he can't and he's just trapped there, but he seems to just have Jesse to prey upon and through him a few (several) other victims. Actually the body-count is pretty high here after the pool-party scene.


I'm not gonna go into the whole homoerotic "subtext" (it's not very "sub") here unless anyone wants to discuss it just because there is so much you could say about it and it would really require another post. But I think its reputation for this is pretty well-known and it does not disappoint.
Overall, this is a fairly big step down from the original and it hardly makes a lick of sense...

WARNING: "Fairly big spoiler, I guess." spoilers below
It's not totally clear but it appears that everyone in the movie is actually murdered by Jesse possessed by Freddy (you see Freddy when it happens because he has taken over), so... I mean, Jesse's goin' to the chair... yet this movie appears to have a happy ending when Freddy is defeated?

The rules are unclear but, as I've said, I'm just not really sure it matters. The movie is fun enough and has some good sequences like both of the school-bus scenes as well the pool-party. I wasn't sorry I watched it at all and I probably enjoyed it a little more than most of the sequels just because, again, I like my Freddy mean-spirited as hell and not wearing Wayfarers on the beach



Post Script: I was about to give this movie flowers for having such a great female supporting character in Lisa, who seemed strong and resilient and supportive and generally cool. I mean, she gets into the middle of this thing between Jesse and Freddy and really risks her life to save him... and then she’s sees a rat and buries her face in Jesse’s chest while he literally pats her. I laughed out loud.





STAGEFRIGHT 1987
I hope everyone caught my sweet owl pun yesterday, foreshadowing this one. This didn't quite click for me on my first viewing in 2017, but enough of it stuck with me that I bookmarked it for a future revisit. Turns out 2017 Cap was an idiot, because this is terrific. That first on-stage murder, where we all know who's under the mask, is legitimately nerve-wracking. And the entire film is full of dare I say beautiful imagery, in particular that famous tableau of Owl guy surrounded by his victims as feathers fall around him like snowflakes. A future Bluray purchase for sure.





THE CHURCH 1989
This one DID connect back in '17 and this re-watch did not disappoint. Again, full of nightmarish yet beautiful set pieces. Sort of reminds one of a less psychotic Demons, where a group of people are trapped in a single setting and face various demon-adjacent complications.

I'll be continuing the Soavi Fest with tonight's viewings.



Victim of The Night


STAGEFRIGHT 1987
I hope everyone caught my sweet owl pun yesterday, foreshadowing this one. This didn't quite click for me on my first viewing in 2017, but enough of it stuck with me that I bookmarked it for a future revisit. Turns out 2017 Cap was an idiot, because this is terrific. That first on-stage murder, where we all know who's under the mask, is legitimately nerve-wracking. And the entire film is full of dare I say beautiful imagery, in particular that famous tableaux of Owl guy surrounded by his victims as feathers fall around him like snowflakes. A future Bluray purchase for sure.





THE CHURCH 1989
This one DID connect back in '17 and this re-watch did not disappoint. Again, full of nightmarish yet beautiful set pieces. Sort of reminds one of a less psychotic Demons, where a group of people are trapped in a single setting and face various demon-adjacent complications.

I'll be continuing the Soavi Fest with tonight's viewings.
I wouldn't beat yourself up on not clicking withStage Fright the first time, I had the same experience. There was enough good that I remembered to make me go back and re-watch and when I did I was a bit gobsmacked. Like, how did I not dig this this much the first time. Not sure what causes that but I felt the same.
I'm due for a re-watch of The Church myself.



A caller calls in after they watch some footage of the children sleeping before they are awakened by the ghost and they specifically say that somebody saw a “figure” in the background by the curtains. So I rewound it and there’s nothing but it looks like maybe there could just the slightest hint of someone behind the one on the right, so slight.
But when the host and doctor in the studio go back to the footage to check there’s just clearly a ******* person standing there (in double-exposure). And yet they’re all like, “Do you see anything? I don’t see anything? Huh.” And it’s as clear as if the person (which is like double-exposed or whatever) was just an actor standing there, practically in the middle of the frame. You cannot miss it. It is impossible. You can see him better than you can the kids.
My family watched that 'live' and I remember that footage freaked me out for days and couldn't sleep. Also didn't know it was a fake when I watched it...



In 1992 this was a creepy tv experience.