Anora
As the first American film to win a Palm D'or since 2011, expectations are understandably high for Sean Baker's
Anora.
Anora more than delivers, achieving the trickiest of cinematic achievements: here is a movie that plays out like a twisted fairy tale that, somehow, rings true.
Mikey Madison delivers one of the absolute greatest performances in any recent Oscar-contender in the title role, and it will definitely be a darn shame if she doesn't get the prize, because she absolutely deserves it.
The character Madison creates here absolutely bursts with vitality, seeming at total ease in scenes that involve both pole-dancing and a much more complicated dance - the dance of romantic entanglements. She has also mastered the art of sounding like a Brooklyn girl who can barely get by with her broken Russian, in a way that gives you hope she could be the next Meryl Streep.
She is surrounded by a magnificent supporting cast of Russian actors, all of whom I would love to see in more movies, should they be able to continue working for American directors.
Contemporary American cinema just doesn't get much better than
Anora.