5 out of 5 huh OG. I'm not sure if you're just goofing around but if you aren't, what is an example of this brazen exploitations of the characters that you speak of here? I do plan to catch it either at the Cinema or on DVD in the future.
Perhaps exploitation was the wrong word. I should make it clear that the characters are never exploited and the movie is not, at all, exploitative. By effect it exploits the viewer. These characters are
real. I'm not sure what font or other text emphasis I can use to highlight that.
Bug is painfully real.
I know people like the ones in the movie. I've seen the mindless depression people can enter, Bug takes someone in that state and pushes them to the razor edge of insanity.
It does it incredibly artfully - for lack of a better word - but the effect on the viewer is exhausting. However, this is only going to be the case if you know people like Peter or Agnes. If you know someone who knows their life is meaningless. If you know someone in an abusive relationship or with a sorrowful drug habit. If you meet any of these criteria, the truth of characters in
Bug will literally make you sick to your stomach.
The horror genre aspects of the film are, relatively speaking, meaningless. Which is why they really only comprise the last 25 or so minutes of the film. And this isn't a psychological thriller. It is purely a near flawless capture of sanity unraveling.
In retrospect, the rating should probably drop to a 4.5 instead of a 5 due to a mildly implausible jump in the psychological state of Agnes/Ashley Judd. It isn't unbelievable in the scope of the character, but the editing removes a bit of the effectiveness of her sudden conversion to Peter's thought process.
Either way, Friedkin will trap you in a slow burn that will eventually singe your very nerves. But, this movie is not for everyone. And that is not to say that it will be above some people's head - the story simply won't click with some people depending on their own life. If you're in the minority who will have vulnerable spots for its claws to catch hold of, it will not let go even after you're out of the theater.