+3
I guess I should make a case...!
Sympathy For Mr. Vengeance vs. Seven
Sympathy is underrated if or if not standing next to the other two films of the trilogy, but there are so many peculiarities in it that, after finding more to like about it every time I watch, it's mind boggling how little attention this gets for bridging the gap possibly the most successfully between Hitchcockian days and today's "thriller" what-have-yous. The societal subtleties, like the class comparisons, the ironic anarchist, or the impossibly humorous moments during horrid sequences (or talking about ants in sign language during sex), or the way that actions made in the best conscience continuously paint the future bleaker, it all adds up to a realistic surreal photo of a couple days wherein people's lives are altered immensely, blurring the lines between who is right and wrong, and in the end sympathy is felt for everyone involved. Seven can't do any of that for me.
Park Chan-Wook said this was his favorite of the trilogy even though it was hated upon release. Personally it's a solidification of his aptitude; this is one of the movies I always think about when I'm filming.
Vampyr VS LOTR
A fair contest, and yet historical importance aside Vampyr is an epitomizing "dream" film that has rarely been touched in that respect. For me, that alone is enough to beat LOTR, but I can go on to say I prefer the soundtrack as well. The way it all works via the viewer's subconscious is masterful.
The Rules of the Game vs. Fantasia
A film of entendres and foresight, The Rules... manages to be both hilarious and infuriating. I just had a long discussion with my french teacher about this film, and we both couldn't run out of minute details to explore together, so much so that she nearly forgot she had to go back home to her child. It's a great memory.
Shivers vs. The Truman Show
Cronenberg is the only director I know who can incorporate sex in his films in ways that would even make the French cringe. And yet his symbolism, while covered in blood and other precious fluids, and profound or obvious, is always worth the thought. The Truman Show is still very good, but apparently too honest for a lot of people to recognize, but I guess I'm partial to the weirdness in this circumstance.
The Graduate vs. Kind Hearts and Coronets
Just based off comparing scripts, Kind Hearts is clever as hell, and dark at points which is my preference. It vaguely reminds me of The Ruling Class in terms of outlandish british black comedies that use lighting in extremely ironic ways. The Graduate feels pretty amateur in comparison.
I Am Love vs. Belle de Jour
I love them both so I grabbed a nickel