The MoFo Top 100 Musicals Countdown

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Looks like everything in my top 10 will make the list. That's not too surprising.

My number 4 was My Fair Lady. A three hour musical is not something I generally feel like sitting down to watch but Audrey makes almost anything watchable and when it was all said and done it didn't feel like a three hour movie. The highlight of the film is the scene at the racetrack which had me rolling.

I had Beauty and the Beast at number 2. It's the perfect Disney musical for me and Belle is my fav Disney "princess". There's a little fire in her. I first saw this at a time when I was too cool to watch an animated, musical, love story so I kept my enjoyment of it hidden. It's funny, dark (at times), the songs are some of Disneys best, Gaston is truly primeval ("Thank you, Belle") and I remember being blown away by the animation from the very start. It was an incredible leap from what Disney had been producing at the time. It's possible that I've seen this more than any other movie, ever.

And Grease was my number 3. From start to finish it's quite possibly the most fun movie on my ballot. Both leads are great, the big dance off middle is fabulous and the ending...SANDY!?! The snapping of the umpires mask still makes me laugh every time I see it, probably because I wish I could have done that a few times in my life. Usually there's a song or two that I feel doesn't work or slows the movie down but I don't get any of that from the songs in Grease.


1. Yes
2. Beauty and the Beast (1991) # 12
3. Grease (1978) #9
4. My Fair Lady (1964) # 10
5. Yes
6. Chicago (2002) #21
7. Aladdin (1993) #22
8. Moulin Rouge #30
9. South Park #27
11. Pink Floyd The Wall #41
12. The Music Man #29
13. Nope - A little surprised that it didn't make it.
14. Top Hat #58
15. 42nd Street #76
16. The Band Wagon #80
17. I've seen it mentioned but sadly nope.
18. No
19. The Rocky Horror Picture Show #14
20. Yes
21. Meet Me in St. Louis #33
24. Hair #47
25. The Forbidden Zone (one pointer)



As far as the Rotten Tomatoes score, it has been split the following way:
  • 88 entries have a "Fresh" score (above 60%).
  • 11 of those are what they call "Certified Fresh" (a score above 75%).
  • Only 3 entries have a "Rotten" score (below 60%)
  • There's one entry with no RT score, for not having enough reviews listed (The Burden at #83)

All this means that, with the exception of those three (3) "Rotten" films, all the others have had a primarily favorable reception among critics.
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Seen Grease, don't remember it. Should probably rewatch it.
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If you were alive and aware in 1978 you know Grease was a full-on phenomenon. Seemingly everybody over the age of six had the album. Five of the singles charted: Frankie Valli’s title track and the duet “You’re the One That I Want” both went to #1, “Hopelessly Devoted to You” hit #3, “Summer Nights” #5, and "Greased Lightning" #47 on the Billboard Hot 100. The music was absolutely everywhere, to the point where it took over popular culture for a bit. On the heels of 1977’s Saturday Night Fever, Travolta had a second cultural moment in a row. Olivia Newton-John went from a best-selling musical artist to a movie star, overnight. Even the retro novelty act Sha Na Na, who appeared in a cameo in Grease as the band at the dance off, had a variety show on the air. Between "Happy Days" and Grease, the 1950s and early '60s were back! Why?!? I dunno?



I have seen Grease dozens of times, thanks to it being on cable seemingly non-stop. Probably seen Grease 2 nearly as much, and that one has a C-O-O-L rider and Michelle Pfeiffer! But I didn’t make room for either on my ballot. Instead, I went with another from that era that, while not an objectively top-flight production, has imprinted deeply upon me all the same. "Come take my hand...."



Xanadu (1980) is a cheesy ball of neon nonsense that, for some reason, I have found myself drawn to since I was ten. The tale of a frustrated artist who is inspired by the physical embodiment one of Zeus’ nine Muses to build a rollerdisco is beyond absurd. Rollerdisco as a minor fad was already done before the prints of this flick were even dry. That they dragged living legend Gene Kelly into the proceedings in an attempt class up the joint and legitimize it all is a tad desperate. And shoehorning in an animated sequence by Don Bluth to give it a Disneyesque moment for the kids, I guess? I am sure Universal hoped this hodgepodge would appeal to a broad audience, but of course it appealed to just about no one. It was an infamous flop, save for its soundtrack that had hits for Olivia Newton-John and the Electric Light Orchestra. Legend even has it that a double-bill of Xanadu and another infamous disco flop Can’t Stop the Music at a second-run Los Angeles dollar theater is what spawned the Golden Raspberry Awards. For the record, Xanadu was nominated for six of those initial Razzie Awards but only “won” Worst Director for Robert Greenwald (who actually had some impressive names in his category, including Brian De Palma for Dressed to Kill, John Avildsen for The Formula, William Friedkin for Cruising, and even Stanley Kubrick for The Shining).

But in spite of all of that, or maybe even because of it, Xanadu slowly but surely became a cult movie. Some enjoyed it through a so-bad-it’s-good prism, others just plain liked it. I am in that latter camp. Part of it is I have a thing for Olivia. No apologies or regrets there! And I love the music, especially the songs “Magic”, “The Fall”, “Don’t Walk Away”, and “Suddenly”. I know Xanadu is ridiculous, but it has a strain of earnestness and fun underneath the neon and studio pandering that is, ultimately, charming. At least to this fella.

I had the place where nobody dared to go and the love that we came to know - they called it Xanadu - at number sixteen, ten of my precious points sacrificed to the gods of Mount Olympus by way of a mural on the Venice Beach Boardwalk.


HOLDEN’S BALLOT
2. La La Land (#13)
3. Pennies from Heaven (#56)
4. Dancer in the Dark (#20)
5. A Hard Day’s Night (#23)
6. The Blues Brothers (#19)
7. That Thing You Do! (#31)
8. The Umbrellas of Cherbourg (#11)
10. The Commitments (#107)
11. This is Spın̈al Tap (#55)
12. Hearts Beat Loud (#101)
13. A Star is Born (#43)
14. Hair (#47)
15. Sing Street (#40)
16. Xanadu (#DNP)
17. Amadeus (#97)
18. Once (#25)
21. Gentlemen Prefer Blondes (#69)
22. Little Shop of Horrors (#18)
24. My Fair Lady (#10)
25. Walk Hard: The Dewey Cox Story (#74)



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Victim of The Night
Funny thing about Xanadu is that every time I watch it I remind myself, "This is legitimately terrible and you should never watch it again, not even when that creeping urge or doubt comes prowlin' around, it is simply bad, do not do it."
Very clear statement to myself.
Which I completely ignore about once every 8-10 years.





8
23lists272points
Mary Poppins
Director

Robert Stevenson, 1964

Starring

Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns





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I never could get the hang of Thursdays.
I was genuinely surprised Mary Poppins made it this high. I like it, but it didn't make my top 25. It was on a whopping 23 lists, though, which is the most so far and in fact the most until the top 4.



It's really been years since I last saw Mary Poppins. However, it was one of those (along with The Many Adventures of Winnie the Pooh and several others) that we listened to often cause we had the Disney LP. Then when video rental stores came to be, we rented it often and saw it often. But even though it's been a while, the songs have always stuck with me. Maybe if I had revisited it would've fared better, but on the strength of its music and what little I remember, I had it at #19.


Here's where I stand...

SEEN: 33/93
MY BALLOT: 15/25

My ballot  



Thought I had this sewn up (at least the top20 project (more on that later)) but yeah forgot I hadn't seen this one. I probably prefer Shary Bobbins by quite a distance though.



I didn’t have Poppins nor any straight Disney flicks on my list. Though since The Jim Henson Company was eventually sold to The House of Mouse, I suppose latter Muppet projects are, technically, under the ever-growing “Disney” umbrella.


Three Jim Henson projects wound up making the Top 100: the OG The Muppet Movie (#45), A Muppet Christmas Carol (#52), and Labyrinth (#28). I had a more manly Muppet flick on my ballot, one that pays loving homage to the Henson legacy while updating the sensibilities a bit. 2011’s The Muppets was an extremely happy surprise for this cinemaniac. I am definitely of the original ”Sesame Street” generation, that program having debuted on PBS just six months before I was born. I was aged six to eleven for the original broadcast of ”The Muppet Show”, and nine for the first movie. Liked it all, loved ”The Muppet Show’, and as I aged out of the hardcore target audience I still enjoyed the subsequent Muppet movies. Absolutely hated The Dark Crystal and was a bit old to care about Labyrinth, but I still went to all the feature films baring the Muppet name (Caper, Take Manhattan, Christmas Carol, Treasure Island, and Muppets from Space) and even enjoyed the all-too brief ”Muppets Tonight” 1990s primetime television reboot. My favorite Muppet project past the original TV show and first few movies was probably the Muppet Vision 3D at Disney World.

Which is all to say that though I dutifully kept up with them, I initially went into The Muppets (2011) mostly out of nostalgia and because I love Jason Segel and Amy Adams. But I was instantly blown away by the energy, humor, and the angle taken by Segel & Nicholas Stoller (Forgetting Sarah Marshall). Just the right mix of modern edge and homage, but always defaulting to a clear and obvious irony-free love for the world Henson and company created. As a Musical, the songs were fantastic, especially “Man or Muppet”, written by Bret McKenzie (Flight of the Conchords), which eventually won the Oscar for Best Original Song! From Chris Cooper's heavy ("Maniacal laugh. Maniacal laugh.") onward, the deadpan humor and genuine joy in reuniting with these characters worked perfectly for this crusty old fart.

Though I knew it had little chance of making the list when stacked up against the original Muppet flicks, I adore it way too much not to have included it on my ballot. I had it at number nineteen, good for a lucky seven points.

HOLDEN’S BALLOT
2. La La Land (#13)
3. Pennies from Heaven (#56)
4. Dancer in the Dark (#20)
5. A Hard Day’s Night (#23)
6. The Blues Brothers (#19)
7. That Thing You Do! (#31)
8. The Umbrellas of Cherbourg (#11)
10. The Commitments (#107)
11. This is Spın̈al Tap (#55)
12. Hearts Beat Loud (#101)
13. A Star is Born (#43)
14. Hair (#47)
15. Sing Street (#40)
16. Xanadu (#DNP)
17. Amadeus (#97)
18. Once (#25)
19. The Muppets (#DNP)
21. Gentlemen Prefer Blondes (#69)
22. Little Shop of Horrors (#18)
24. My Fair Lady (#10)
25. Walk Hard: The Dewey Cox Story (#74)







Society researcher, last seen in Medici's Florence
#8. Mary Poppins (1964) was my #3.

When it is about classic musicals, this title is the first that emerges in my mind. I've seen the entire movie two or three times and some segments many more times.
Julie Andrews is so attractive and sweet, I can't imagine she can be skipped.


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My Ballot

1. All That Jazz (1979) [#17]
2. Pink Floyd - The Wall (1982) [#41]
3. Mary Poppins (1964) [#8]
4.
5. Everyone Says I Love You (1996) [#73]
6.
7. Monty Python's The Meaning of Life (1983) [#99]
8.
9. Amadeus (1984) [#97]
10. Hair (1979) [#47]
11.
12. Jesus Christ Superstar (1973) [#59]
13. Dancer in the Dark (2000) [#20]
14. The Muppet Movie (1979) [#45]
15.
16. Rocketman (2019) [#91]
17.
18. Oliver! (1968) [#44]
...
21. La La Land (2016) [#13]
...
25. The Gypsy Camp Vanishes Into the Blue (1975) [one pointer]






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I haven't seen Mary Poppins since I was a youngster, I think. I completely forgot about its existence for this countdown until I saw people predicting the top 10 (I think). I doubt it would have filled out my ballot though. The Supercaliflatuous song is catchy for its existence, but other than that and the act of war that Brits claim Dick van Dyke's cockney accent is, I'm okay with how little space it occupies in my mind.

I think it's safe to say, musicals still just aren't my genre; as much as musicals can be considered a genre.



Mary Poppins was my #12 pick.